The_Laughing_Man
01-10-2008, 02:09 PM
Black Monolith Studios is now proud to be able to offer Analog Tape Mastering as part of the mastering service.
I can now transfer your music to be mastered onto a classic, modified, valvestate Studer G-36 Reel to Reel machine.
This calssic piece of studio gear allows me to give your music GENUINE tape saturation, that simply can`t be emulated by plugins. Your music will be given pro level analog warmth and much sought after subtle tape compression by this machine through it`s reconned 1960`s valvestate circuitry, onto pro level Quantegy Tape, before being transferred back into the ditigal domain via high quality 192khz ADDA for further treatment.
The studio runs a dual monitor pair setup for A/B comparisons to ensure best representation of the music.
My rates are very competative and by the job, not by the hour.
No charge is made until the customer is satisfied with the final master.
After spending 3 years working directly under Paul Dawson of Jam studios, I have much experience working on all types of music in the mastering domain, and currently do a lot of contract work for various TV Media companies, and Labels.
If you are interested in getting some good analog warmth into your masters at a very low rate, drop me a line
voidloss AT londontechno.co.uk
or
dirty-bass-records AT londontechno.co.uk
http://iterativemusic.com/db/Black%20Monolith%20Small%20Logo.jpg
Apologies for the spam.
I can now transfer your music to be mastered onto a classic, modified, valvestate Studer G-36 Reel to Reel machine.
This calssic piece of studio gear allows me to give your music GENUINE tape saturation, that simply can`t be emulated by plugins. Your music will be given pro level analog warmth and much sought after subtle tape compression by this machine through it`s reconned 1960`s valvestate circuitry, onto pro level Quantegy Tape, before being transferred back into the ditigal domain via high quality 192khz ADDA for further treatment.
The studio runs a dual monitor pair setup for A/B comparisons to ensure best representation of the music.
My rates are very competative and by the job, not by the hour.
No charge is made until the customer is satisfied with the final master.
After spending 3 years working directly under Paul Dawson of Jam studios, I have much experience working on all types of music in the mastering domain, and currently do a lot of contract work for various TV Media companies, and Labels.
If you are interested in getting some good analog warmth into your masters at a very low rate, drop me a line
voidloss AT londontechno.co.uk
or
dirty-bass-records AT londontechno.co.uk
http://iterativemusic.com/db/Black%20Monolith%20Small%20Logo.jpg
Apologies for the spam.