i've been knocking together a few electro projects recently. got stuck in a rut though and was wondering if theres any electro producers out there who can share a bit of info about direction.
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i've been knocking together a few electro projects recently. got stuck in a rut though and was wondering if theres any electro producers out there who can share a bit of info about direction.
sample some herbie :lol:
learn to play the keyboard (if you don't know already)
it depends what you mean by electro - if you 'proper' electro i.e. breakbeaty, old-school sounding, direct beat/detroit breakdancey stuff - try using very low bit rates for everything...
if you're talking about the new-school gigolo/european electro which actually isn't really even close to electro at all - i.e. the hacker, vitalic, david carretta etc... just work on layering. and then arpeggiate EVERYTHING.
machina
Radioactive man.
Brilliant.
hahaha. word up. not to say i don't like the new stuff, but the first time somebody said, "hey let me play you this new electro record," and put on a 4/4 track with a huge bassline i laughed at him and told him it wasn't electro. it's really changed a lot since the "space breaks" era. :lol:Quote:
Originally Posted by machina
use the arpegiator :lol:
2 Lone Swordsmen, while we're on a Keith Tenniswood tip.Quote:
Originally Posted by Jay Pace
:clap:
sorry guys for electro keiths stuff is very very simplistic.Quote:
Originally Posted by TechMouse
in the true essence of electro, being 808s and vocoders, he does just use a few electribes on some tunes and its painfully obvious, but there is such better stuff out there.
best to go for lots of granular and dsp noises, bit crush and edit. its the way forward
http://www.spacebarsentiments.comQuote:
best to go for lots of granular and dsp noises, bit crush and edit. its the way forward
I take it you mean Nuskool and not 1984 style breakdance stuff >>
FX wise go for delays not reverbs, experiment with heavy choruses and phasers, synth sounds generally need to be very well designed mainly use saw waves, use arps and note retrigger functions but play your main melodies - most electro is pretty musical even if its just some drums and a bassline. Use 606 for drexciyan / ecto / doppler style mininal electro or 808 for miami style dynamix stuff.
Ooops I misread the thread > theres a number of styles out there that you could try.Quote:
Originally Posted by mattboyslim
1. Classic nuschool (Drexciya, Ectomorth, Doppler Effect and all the people who emulate them) - 606 and dry synthesizers
2. Miami Techno Bass (Dynamix II, Bass Junkie, Volsoc) - 808, vocoders and growling, spitting synths
3. Chip music style (C64 style bit crusher) - SID chips, speech synthesizers and lo-fi drums
4. Electro breaks (Breakbeat with elements of electro brought in, Electro incorporating elements of Grime or Dubstep) - processed breaks and reese basses with a few thips and zaps
5. Booty Bass (electro rhythms but not much electronics) - 808, cheap sampler and dirty vox
6. and of course theres the Gigolo italodisco style stuff (file under not really electro) - rolling arps and crispy drums, 80s influenced vocals
Basically you draw your influences from what you like and incorporate it into your style of music. So find your own direction!
big reverb on an 808 snare :)
wtf is arp?Quote:
Originally Posted by crbn
arpeggios