After reading recent posts, please help me clarify...
Please help me with some True/False answers and maybe some explanation.
When a Techno track (or label) is commercial that is a bad thing?
If an underground track crosses over and becomes popular in many scenes, it's not considered cool or 'real' techno anymore?
There is no cheese in 'real' Techno records?
It is bad to release alot?
It is not being true to yourself if you like to play and/or produce more than one genre?
If you don't go out anymore you can still complain about the scene? (even if dont really know what currently goes on)
The Square root of 49 = 7?
Any help would be appreciated :cheese:
After reading recent posts, please help me clarify...
now this is just my opinion....
When a Techno track (or label) is commercial that is a bad thing? True
If an underground track crosses over and becomes popular in many scenes, it's not considered cool or 'real' techno anymore? False
There is no cheese in 'real' Techno records? False
It is bad to release alot? if you have cake everyday it's a bad thing too. so True
It is not being true to yourself if you like to play and/or produce more than one genre? False
If you don't go out anymore you can still complain about the scene? (even if dont really know what currently goes on) False
The Square root of 49 = 7? True in this dimension
obviously my answers are tounge in cheek, but i do see your point. I don't think there is anything wrong when making music that keeps to artistic integraty. Its a personly thing the artist has with the music. but i'll bet you $1000000 that the music fans can smell a sell out from their track. When the intent of the artists is to only cash in on what's big and the heart in the music is gone, that's pretty obvious in the quality of the tracks.
Quote:
Originally Posted by Agent Orange NYC
Please help me with some True/False answers and maybe some explanation.
When a Techno track (or label) is commercial that is a bad thing?
If an underground track crosses over and becomes popular in many scenes, it's not considered cool or 'real' techno anymore?
There is no cheese in 'real' Techno records?
It is bad to release alot?
It is not being true to yourself if you like to play and/or produce more than one genre?
If you don't go out anymore you can still complain about the scene? (even if dont really know what currently goes on)
The Square root of 49 = 7?
Any help would be appreciated :cheese:
After reading recent posts, please help me clarify...
not necessarily my opinion .......
When a Techno track (or label) is commercial that is a bad thing?
true ( ie: intec who ( quite rightly) get a slagging at every opportunity )
If an underground track crosses over and becomes popular in many scenes, it's not considered cool or 'real' techno anymore?
true ( ie: murder was the bass , a real cheese fest if ever i heard one .....disgusting! )
There is no cheese in 'real' Techno records?
absolutely !
no cheese whatsoever , real techno is deadly ( deadly serious ) and should not make you smile/dance/enjoy yourself at all
( except "strings of life" because jeff mills plays it and it was made in detroit )
It is bad to release alot?
yes because you are obviously milking it
and should step aside to let fresh talent to come through.
It is not being true to yourself if you like to play and/or produce more than one genre?
true , you must remain underground and peniless until you DIE!!!
If you don't go out anymore you can still complain about the scene? (even if dont really know what currently goes on)
of course
the school disco is a perfect reference source for modern day clubbing /drinking / drug taking lifestyles
you learn how to dress badly / fool around with the opposite sex / and smoke/drink behind teachers back.
The Square root of 49 = 7?
who cares
the square root of 49 is a fish !!
i really couldn't care less
hope this helps clear things up
i'm rea,lly sorry to dissapoint you but i just had a telephone entry from jeff mills
and he says...........
"its all boll@cks"
so there we have it
straight from the horses mouth.
After reading recent posts, please help me clarify...
> Please help me with some True/False answers and maybe some explanation.
1) When a Techno track (or label) is commercial that is a bad thing?
I say no if they're into the music. As long as that label still keeps the ethos of underground music (ie not signing artists/tracks cause they're gonna make shed loads) then that's cool. And that's a big problem imho - alot a labels dont see that this is possible or don't do this once they become commercial. I see Novamute as a good example of a commercial label that is trying to do the best ;)
2) If an underground track crosses over and becomes popular in many scenes, it's not considered cool or 'real' techno anymore?
It's definitely cool if it hasnt had the PR machine and then managed to make it to the top! But you tell me those tracks - I could count them on one hand!
(It's also cool if some small bloke has discovered the PR machine, had massive sucess and then kept the PR machine at bay and done what he wants to do!!! ie he's manipulated the machine imo!!)
3) There is no cheese in 'real' Techno records?
Cheese? Techno? No way.
4) It is bad to release alot?
No.. learn your market. Get your feedback! Make yourself better!
5) It is not being true to yourself if you like to play and/or produce more than one genre?
Oh man don't make me start. Close yourself to one genre? How can you seriously do anything different if you focus on one sound? Think about it. Listen to techno, jazz, experimental, trance, pop, electro whatever. Stop critisizing and just listen. Music is music.
PS If you don't go out anymore you can still complain about the scene?
PPS For sure. I DJ every week. Sure it influences me. But when I didn't I remember being so in to this music who cared if I didn't go out. I suppose if you don't go out anymore you cant' complain about the scene BUT you can complain about the music. And good on ya. We need that!!
6) The Square root of 49 = 7?
Couldn't give a SHIEEETE!!!
Any help would be appreciated :cheese:[/quote]