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well i engineered his earlier stuff (ahem!)
primate,audio,compressed etc.
and back in them days he didn't really produce so much himself.
so i just used to do my arrangement style with all the bits in the right places kind of thing 'cos to be honest that is one thing that will stop me playing a track out when it's all messed up like that.
sorry but i really do insist that things fit at least to that structure if nothing else just so's you can mix them ALL together.
i mean it can wander off to the left or to the right and stop and start so long as WHAM! that bit happens when you want it to and not at some bizarre unpredictable time that takes hours of practice to get right.
i just don't have hours to practice record playing these days
so i need a track that i can use straight away and michaels tracks are overly complicated now for what they are i think.
if it were a different style ( wonky/broken beat/electronica) then sure **** with the program but they are pretty basic sounding tracks to me so just get 'em trimmed on the right places and be done with it.
personally speakin of course
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> i just don't have hours to practice record playing these days
tell me about it!
his tracks have really annoyed me but i've stuck with them. the prob i find is that they are so bloody unique that they are hard to fit with other stuff. ie his bottom end is very unique indeed.
micheal burkat records are good in fact bloody great when played together, but i find because of his unpredictable arrangements you loose the flow if you mix it into something predictable.
davey d has a good point.
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The lil green record has the dave the d touch, knew it was too good to be true.
