http://www.rodec.be/site/content/mixers.asp
http://www.rodec.be/site/images/mx180.jpg
http://img.audiofanzine.com/img/prod.../2/5/25457.jpg
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Looks pretty old skool mobile disco... :)
I'd go for this too mate, looks the part an i've heard real good things about these. £280 is wicked for what you get with this mixer.Quote:
Originally Posted by Si the Sigh
Yeah can do that with nearly all mixers, just take the face plate off and there's your faders.Quote:
Originally Posted by tonyc2002
See I'm already swinging back round toward this Korg mixer. I've been reading revies of it all over the place and so far not one bad things been said about it. The demo I've seen of that EQ Isolator look top notch as well. 6 different selections on how you want the EQ's to be, along with that Kaoss Pad, and 4 channels at that price is really really tempting me...Quote:
Originally Posted by A.P.
well like already said Si, you get what you pay for, and if you want a professional standard mixer than you know is going to last then avoid this. It's a gimmicky home mixer, you wont find many clubs employing this thing in their set ups. And i maybe wrong but i think your at the stage in what your doing where you probably need a more professional product, the allen heath will last a lifetime practically
6 eq isolators wont mean a thing when you get to play in a club and you cant have the eq setup you want, which to be fair, youve only got the usual mid, bass and treble, there isnt really that many eq setups you can have without it sounding odd. It's for dj mixing, not production
These guys seem to like it.
I personally think the multiple' eq types are a nice idea and could be very creative.
http://www.djbooth.net/index/dj-equi...2-mixer/#staff
Quote:
EQ manipulation is a staple of DJ performance. In response to this need, the KM-402 takes advantage of full digital processing to provide six different EQ types to suit any sound; from powerful high-pass filters, to unique "Hyped" and "Isolator" EQ curves. Every channel has a dedicated three-band EQ (Hi/Mid/Low) that responds in different ways according to the EQ curve that is currently selected from a simple six position selector.
These EQ types have been created based on the opinions of numerous famous artists; they include EQ curves that cut only the low frequency region while boosting the midrange, as well as extremely drastic EQ types that use the knobs as isolators for each frequency band. This capability means that the EQ knobs are now a core element of your DJ performance, and take advantage of the integration with the KAOSS effects to create performances that use EQ in a new and unique way.
well maybe, but note "this capability means the EQ knobs are now a core element of your dj performance"
he wont have these features in a club environment, as i dare say there isnt a single club using this mixer, and if you want to get used to using equipment that the majority of clubs, like it or not, use, then this mixer isnt the way to go
i learnt this the hard way when i started djing in clubs and only had a shitter numark mixer at home, the point being the numark had kill switches for each eq that i was used to using, the mixer in the clubs i was using (which i might add ive never played a club that hasnt used either the Djm600 or an allen heath) didnt, and i had to adapt, and quickly found that i stopped using the kills anyway at home because i couldnt emulate that in a club environment.
Eventually i got a djm600, wished i'd gotten an allen heath, because in my opinion the difference between them is alarming considering the price they both retail at
Go for it mate, i defo would.Quote:
Originally Posted by Si the Sigh
What you else you gunna get for that price Si
Also it depends on what you want the mixer for, the allen & heath is the best sound quality you will ever come across, but the faders are lazy when your chopping and theres only LFO filters to use in the mix.
The korg one here has multi effects and the faders are spot on when chopping.
Anyway it's your dosh mate, **** listening to us... haha!
I'd take a pioneer 800 over an A&H
600 was a workhouse, best laid out mixer on the market, great faders, decent FX you could actually use but the sound quality was lacking.
The 800 was a big step up and to many sounds better than A&H
Think A&H are over rated tbh...
Actually si - screw all this. If its for you to have fun with, buy the mixer with the most effects and revel in the options.
Mixers with amazing sound quality are lost on home hifi set ups, and if you're not djing regularly and don't need to be familiar with a high end mixer your paying for build and quality you don't need.
I would recomend the Ecler Nuo range, or if you have a spare grand, check out the new Evo 5.
no offence mate but anyone who takes shorter faders over optimum sound quality needs their head testingQuote:
Originally Posted by A.P.
and the filters on the AnH are top, top quality, miles better than the cruddy effects on the DJM's, so i'd put my last tenner on the fact the filters alone would piss over this mixers effects. Effects are overated anyway when it comes to dj'ing, much, much better to actually learn how to manipulate your records effectively and have the build and sound quality to show it off on.
your best bet Si would be to actually go into a shop and demo them both
if you dont notice the world of difference between an AnH and a low end mixer like this then il eat my studio
that's the 2nd time this week i've offered to do this, and luckily i wasnt required to be eating Roland sandwiches for tea, and i dont think i would be this time either :)
That new ecler does look very sexy, ****ing pricy tho - http://www.evobyecler.com/
or *shock* uses short faders creatively. Long faders are the devils armpit for gating, gain riding or scratching.Quote:
no offence mate but anyone who takes shorter faders over optimum sound quality needs their head testing
;)
That ecler certainly does look interesting.