Bollocks to quiting.
My advice would be to go semi-pro. Then work in music just as hobby and to make a bit of pocket money.
A step backwards maybe, but a lot less risk and living up to responsibilities = win
It's just finding a job now though.
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I recommend reading "Kill your friends" by John Niven
http://www.independent.co.uk/arts-en...en-780982.html
if you haven't already read it, do it now!
Steven Stelfox is a hero :) :)
hehe, enjoy guys, you will want to read this one again before you even get to the end,
and it also brings to light some of the more obscure bits of the music industry which are often overlooked/ignored,
because no we are not living in a fairytale world
;)
and for those of you who are on the 'it was better back in the day' vibe, doesn't actually mean that things were better back then it just means that as a human being you associate certain feelings/emotions with certain periods of your life, it's part of what's called being a human, has got nothing to do with the actual quality of the music
lastly, as regard the 'meaning' of music, i find this a rather ridiculous concept, i don't think producers compose tracks thinking 'yes, this one will mean this, etc' it's more about conveying an idea or an emotion and about sharing a certain feeling, but if you really want to go into discussing 'meaning' as a concept i suggest you read up on either Frege, Russell or Wittgenstein and i promise you they don't mention music hehe
well, here comes some dichotomy!
yes, in a way (even in the short time I've been trying to make music its changed) the proliferation of easy access software, and to some extent the immediacy of myspace etc, has meant that every man, his dog, and any other pets he may have, are all knocking out music and a rate of knots and thinking it has some inherent value because their mates say it sounds ''phat''. but still, if something is made that really touches people then regardless of how its made will still touch people and get into the conciousness.
the flip side of this proliferation of easy access software etc etc is that more people have an opportunity to try it, to try their own thing, to experience music from the 'other side', and maybe, just maybe, this drives our type of music as a whole forwards?
interesting subject, but I'm too pissed to properly get into it.
WTF! music always has meaning....I don't get it??
After years of dabbling in writing tunes and playin Live I have finally got the bug to DJ...MAN!! there is soooo much music out there I love it! I can dig around and come up with stuff that nobody else I know has found...that is a great thing.
It means I don't have to play the same stuff as anyone else because there is not much to choose from. That is more true here in OZ where a lot of vinyl never made the distance and so selection was limited.
I agree with the 'it was better back in the day' phenomenon being more an issue here.
true.
yellow isn`t as yellow as it used to be.
Or, one could argue (if, like me, you're a bit bored and an anal cunt) that ''colour'' is derived from its spectral wavelength.
However, if one then wanted to be even more anal, and was basically a bit of a twat (me again) you could say that colour is actually not something's inherent wavelength, rather it is the perception of said wavelength
So basically I've just agreed wit you.
damn...
:lol:
It all boils down to the individuals perception. Fact.
Music never had any "meaning" in music in the first place.
There is no meaning in anything, except the meaning that we give things, and then forget that it was us who gave the thing meaning.
Sounds like what the guy in the OP is really saying is that he is unwilling to accept the reality that all is flux, all is change.
We seem to be living in a age of ADHD, where people want more, newer,better stuff right now, not tomorrow, so if you don't move at that speed, you get left behind.
Trying to make a classic track that will "Last" seems like a bit of a joke in the present climate
My guess is that he no longer felt important once his moment faded, and many artists need approval and to feel important as much as they need to create.
Money does come into it as well, but I think the emotional side of it is very strong, the feeling of being important, of making a mark in other peoples lives, sharing experience with them.
Do you think someone like Jimi Hendrix would stop playing guitar if he wasn't getting paid?
I reckon he would still play for free just for the buzz of it anyway, he seemed to be in deeper than most, I would guess the fame and money were a fringe benefit to him.