Downwards
Varial
11th Hour
Electrofunk
Ghostly
and dare I say Dust Science :)
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Downwards
Varial
11th Hour
Electrofunk
Ghostly
and dare I say Dust Science :)
Quote:
Originally Posted by Alan Oldham
hey brah! been lookin for you. how the hell are ya? anyway hit me up please bro at briangibbs@hotmail.com
b
It's nothing close to genius. That new Beltram on Tresor is absolutely terrible, it's so cheesy. He can sample the most overused disco/funk samples (Like most of his other STX stuff) and make a 5 minute track out of it? Well rather him than me, this doesn't remotely measure up to any of the amazing music he's made in the past. Sure it may make the girls shake their hips but there's not a hope in hell I'd ever play this kind of stuff out :nono: and if I did I'd expect to be lynched for it !Quote:
Originally Posted by Alan Oldham
Btw. I'll always have huge respect for Beltram, he's made so much outstanding music, but I'm really not into this stuff.
I'll agree here, the quality on the last one I heard (DM005) take it to the next level, the Gunjack tracks particularly.Quote:
Originally Posted by SummerOfSam
Like I said, you must not play to actual party crowds with, like, girls dancing and stuff.Quote:
Originally Posted by Sunil
Not so, I just don't like to play these kind of records.Quote:
Originally Posted by Alan Oldham
Not one for slaggin artists or tunes in general but you leave me no choice. That latest Betram tune is terrible.Quote:
Originally Posted by Alan Oldham
yep. true enough.
Beltrams new stuff is just a techno version of Westlife.
Pop music for kids.
You kids are just tooooooo cool for me ;)
Well I like the new 12", +6 every time...
Any way back to Labels and Artists...
Makaton
Looking forward to the new Female stuff
Whitehouse
Got back into Coil in a big way, Black Antlers is brilliant
Looking forward to the new Shake album as well
Favourite labels
Real tricky
I`m more into good tunes.
I do like mankind, it seems pretty consistant.
And
Intoxygene. For handling the young gods.
Gunjack is promising too.
Otherwise, I flick around labels like nobody`s business.
Makaton is doing a remix for us right now :love:Quote:
Originally Posted by Martin Dust
I heard the new Female on Infrastructure, sounds good and industrial. Actually, quite just like BMB ;)
I am curious on the EP he is making for Downwards.
I want that Black Antlers but got no credit on my VISA to order it on their page, care to share? =)
What/who is Shake? Anthony Shakir?
Makaton is really on form - enjoying most of his output these days. Not heard the Female stuff on Infra - enjoyed his set up in Leeds a couple of months ago tho...Looking forward to the EP.Quote:
Originally Posted by Buttman
Well the Coil album is worth it, sell everything you have.
There is only one Shake, and yeah you're spot on - really like his productions, the album with SPK was very good and interesting to see him working in another area.
I'm into lots of different labels, but some that I like best are:
(melodic / deep / intelligent etc.)
- Kanzleramt
- Scandium
- Rotation
- Sino
- Truesoul
(loopy, funky shite)
- Southsoul
- Zenit
- Question
- Memory Lane
- SuperBra
(tougher loopy techno)
- Drumcode
- Conform
- Punish
- Kobayashi
- Zync
Of course, there are so many great labels out there that they can't all be named here, but the ones written were chosen mainly for their consistency and/or my affection for the style they represent or an exceptional record they've put out...
No Entry
RAW
VCF
SUF
Blueline
anyone? surprised this is not mentioned.
i have seen soleil on the list
echoplex is very brilliant these times... some really personnal mastering and groovy rythms
Neue Heimat/Sativae/Mosquito/ but when on a harder tip it has to be Tsunami
Actually lot of people here just appreciate quality tracks. You going to tell me that Beltram track is better than the Samuel L Session on Cycle?Quote:
Originally Posted by Alan Oldham
Just because someone doesnt like a track doesnt exactly mean they arent experienced with a crowd as much as you are. I don't think a lot of people here have as much experience with crowds as you do. Doesnt mean we are not entitled to say a track blows, from a producer point of view.