Locked records 01

Locked records 001

2007 sees Locked embark upon a new project in the form of a free mp3 web label aimed at pushing the boundaries and strengthening our scene. The new era of Laptop and cd dj's is well and truely upon us so we have moved with the times to provide a solid source of tools, tracks and sounds.
The label will combine the music of established artists with that of the many talented artists around us and the style will venture through techno and its sub genre's. For now it will be MP3 only but there are plans to go vinyl aswell

Here is the first installment:

http://www.lockedrecords.co.uk/media...CK001small.jpg

01 Pacou- Suave
The 1st track from Pacou on this EP, and as expected, he comes up with a complete winner! This track is something a bit different, constructed around a soundscape which is lambasted in deep warm hypnotic synth laden sounds. The B line just sits and rolls alongside all this, creating a tripped out spacey track that is sure to go down a storm in any electronic set.

02 Pacou - 'Dont Get Me Started'
Berlins techno maestro Pacou steps up to the plate with something purely and strictly for the dancefloor. This funky looped driver is sure to bounce any dirty floor hard, containing everything a tough tribal number should, with its finely placed nagging percussion and funky rhythmic shuffles. This track is a real peak time stunner!

03 Dominik Muller - 'Eintracht Hutte'
The EP gets rolling with a cold hearted affair from one of Polands rising dark stars Dominik Muller. This is one for the Industrial badboys out there with its slamming offbeat bassline and hypnotic synth line that fills the track out perfectly.

04 Sinistra - 'Ballista'
An absolute stormer from UK based bone cruncher 'Sinistra'. Truly the heaviest track on this EP, this distorted yet minimal hammerer wraps up the MP3 nicely with its sharp percussive stabs and hissing interference noises. If your techno palette is erring slightly more to the aggressive side this is a must have! A man to watch

05 Only - 'Warfare'
A total shot at the New Skool here with a dark trembling work out from local anarchist 'Only'. On the first listen this sounds like something right from back in the Mid 90s with the simple but effective clattering bassline alongside some subtle but dense percussion. Halfway through you are treated to a killer breakdown that builds to a crescendo of synth based mayhem.



Click here to download a zip file containing the 5 tracks in high quality mp3 format or go direct to our site @ www.lockedrecords.co.uk



Also available from our website are dj mixes from the following:

Dj Godfather @ Locked v Computer Controlled
Matt Blak live @ Footworx Belgium
Pacou Live @ Locked 03
Mark Williams
Oscar Mulero
Lief Ryan
Dominik Muller

Plus many more to follow. Watch this space

www.lockedrecords.co.uk

sweeet :)

Cracking stuff chaps!

5 really solid tracks there!

Nice one! Thank you very much. :)

All 5 tracks are spot on.

BUMP!

Any plans for a second Locked release?

init first one was cool.... nice that it was free too

Watch this space...

Next one will be out fairly soon

Thank you,downloading now~

very nice! thank you!

Quote:

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Originally Posted by Sam_Horam

Watch this space...

Next one will be out fairly soon

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Thats great news! :)

Cheers.

Great tracks guys, but...

Do you not think that by giving away your tracks for free your de-valuing an already heavily under valued industry and also under selling yourselves as artists.

You say that the label is going to strengthen the scene; I think it will have the opposite effect. If more people start taking the position of giving away there music for free it could have a disastrous effect on artists trying to scrape a living from what little money is left in this industry.

I think giving away 1 or 2 releases could be an effective marketing idea, but it's the idea of a 'free' label that i'm not so keen on.

I don't think techno has ever been about making lots of money but it does need money to survive.

don't think i'm being funny by what i've written, it's just my view on the matter. doesn't mean its right.

Agree !!

Quote:

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Originally Posted by MorePunkThanFunk

Great tracks guys, but...

Do you not think that by giving away your tracks for free your de-valuing an already heavily under valued industry and also under selling yourselves as artists.

You say that the label is going to strengthen the scene; I think it will have the opposite effect. If more people start taking the position of giving away there music for free it could have a disastrous effect on artists trying to scrape a living from what little money is left in this industry.

I think giving away 1 or 2 releases could be an effective marketing idea, but it's the idea of a 'free' label that i'm not so keen on.

I don't think techno has ever been about making lots of money but it does need money to survive.

don't think i'm being funny by what i've written, it's just my view on the matter. doesn't mean its right.

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At the moment we want to get the Locked label to be listened to by as many people as possible. The best way to do that is to make it free to download from our site. We have also given out free cds of this first release at our night.

It's a similar reason to why we've been doing the free partys at Locked over the last 6 months.

In the future we would like to be in a place to sell the releases via digital downloads and vinyl but we're not there at the moment...

Quote:

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Originally Posted by MorePunkThanFunk

Great tracks guys, but...

Do you not think that by giving away your tracks for free your de-valuing an already heavily under valued industry and also under selling yourselves as artists.

You say that the label is going to strengthen the scene; I think it will have the opposite effect. If more people start taking the position of giving away there music for free it could have a disastrous effect on artists trying to scrape a living from what little money is left in this industry.

I think giving away 1 or 2 releases could be an effective marketing idea, but it's the idea of a 'free' label that i'm not so keen on.

I don't think techno has ever been about making lots of money but it does need money to survive.

don't think i'm being funny by what i've written, it's just my view on the matter. doesn't mean its right.

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what a strange notion mate. Offering music for free does anything BUT damage a scene, it unites people in a way that goes somewhat beyond the artist/punter divide that some people seem to think is still important in this scene. It brings everyone onto the same level.

No one is missing out because they cant afford new music, and no one is missing out when they dont get the sales they think they deserve.

it's much, much healthier for a scene that there are still people who are first and foremost dedicated to simply putting good music out there rather than, and i quote your goodself, "scraping a living out of what little money is left within this industry"

the arse fell out of the record buying industry for techno about 5, 6 years ago unless your records are of the highest quality and happen to touch a nerve that brings sales which a person could quantify as "making a living out of techno". And right now, apart from the likes of Hawtin, Clarke and co, you'l be very, very hard pushed to find anyone who makes a living off releasing records right now.

People should expect less from the consequences of releasing music and concentrate on the actual music itself. I dont see how anyone, regardless of scene, position in the scene, relevance to the scene etc etc could not welcome free music

keep up the good work chaps

Agreed, Scot.

Agree with Eyes.

but if there's no money in the industry to pay artists then how are they going to produce quality music? Does that mean you expect every artists to work for free in there spare time. does this mean the techno community is going to be reduced to a bunch of part timers?

i truly believe this will have consequences on the quality of the music. who pays the mastering engineer? or does that mean techno no longer gets mastered.... or worse still the mastering engineer works for free as well. who pays the designer for the label artwork, or is that going to be reduced to half rate design?

surely this is going to have consequences

if this is the direction that techno is takes then it's going to develop into a very 'amateur' genre.

Have you downloaded it?

Quote:

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Originally Posted by MorePunkThanFunk

but if there's no money in the industry to pay artists then how are they going to produce quality music? Does that mean you expect every artists to work for free in there spare time. does this mean the techno community is going to be reduced to a bunch of part timers?

i truly believe this will have consequences on the quality of the music. who pays the mastering engineer? or does that mean techno no longer gets mastered.... or worse still the mastering engineer works for free as well. who pays the designer for the label artwork, or is that going to be reduced to half rate design?

surely this is going to have consequences

if this is the direction that techno is takes then it's going to develop into a very 'amateur' genre.

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I don't agree with this...

Loads of the best tracks have been written by "amateurs". In fact it's only through writing great tracks as an "amateur" that you get to be a "professional". Think back to the originators of house/techno. They started this from nothing, writing in their spare time, building studios with their money etc. It's just so happened that the whole thing blew up and they were able to sell enough records to make a living.

When it comes down to it you can only be a full time artist if your record sales/gigs are paying the bills. But does this mean that you can only write good music if you're getting paid for it? Of course it doesn't....

We paid out of our own pockets for mastering on some of these tracks and we paid out of our pockets to do the cds...

You become a professional when you get to a point where you can afford to quit your job because you're making enough money from your music, it's not like you suddenly decide "I'm a professional now"...

I think if you have money as a consideration when it comes to music then you've got a problem...

Quote:

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Originally Posted by Si the Sigh

Have you downloaded it?

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i'm not in any way referring to there music, it's wicked. like i said its more the concept of a free label that i'm referring to.

Quote:

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Originally Posted by Sam_Horam

I don't agree with this...

Loads of the best tracks have been written by "amateurs". In fact it's only through writing great tracks as an "amateur" that you get to be a "professional". Think back to the originators of house/techno. They started this from nothing, writing in their spare time, building studios with their money etc. It's just so happened that the whole thing blew up and they were able to sell enough records to make a living.

When it comes down to it you can only be a full time artist if your record sales/gigs are paying the bills. But does this mean that you can only write good music if you're getting paid for it? Of course it doesn't....

We paid out of our own pockets for mastering on some of these tracks and we paid out of our pockets to do the cds...

You become a professional when you get to a point where you can afford to quit your job because you're making enough money from your music, it's not like you suddenly decide "I'm a professional now"...

I think if you have money as a consideration when it comes to music then you've got a problem...

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i'm not saying the amatuer people can't produce good tracks, but an industry needs money to survive. it will always need pro's at the top pushing the boundaries and if there's no money how do they get paid. i'm trying to look at the bigger picture here.


also no need for the personal digs saying i've got a problem. this is an interesting conversation between people with radically different views, on a matter that does effect all of us involved in releasing music.

Quote:

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Originally Posted by MorePunkThanFunk

i'm not saying the amatuer people can't produce good tracks, but an industry needs money to survive. it will always need pro's at the top pushing the boundaries and if there's no money how do they get paid. i'm trying to look at the bigger picture here.


also no need for the personal digs saying i've got a problem. this is an interesting conversation between people with radically different views, on a matter that does effect all of us involved in releasing music.

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Didn't mean that bit to come across as a personal dig...what I meant was that I think that anyone has a bit of a problem if the money question is a major factor in their involvement with music.

Quote:

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Originally Posted by MorePunkThanFunk

but if there's no money in the industry to pay artists then how are they going to produce quality music? Does that mean you expect every artists to work for free in there spare time. does this mean the techno community is going to be reduced to a bunch of part timers?

i truly believe this will have consequences on the quality of the music. who pays the mastering engineer? or does that mean techno no longer gets mastered.... or worse still the mastering engineer works for free as well. who pays the designer for the label artwork, or is that going to be reduced to half rate design?

surely this is going to have consequences

if this is the direction that techno is takes then it's going to develop into a very 'amateur' genre.

---

you'd be suprised the amount of records that dont get mastered properly anyway, regardless of if the mastering is being paid for, to the point where the tracks actually sounds worse when mastered and pressed to vinyl than the actual track in its raw finished state sounded. It happens all the time, the very debate of being professional or amateur doesnt even come into it.

Pat Skoog offers free downloads at times, does that mean Pat is having a bad effect on the industry? No, certainly not. It means there's just 1 more other person who still genuinely loves just making music and putting it out, regardless of if he's getting paid or not.

If we were to bring everything back to the bone here, then the minute you even try and sell your music, or your "art", then the very piece in question is compromised straight away. Art is a freedom of expression, or a happening if you will. If your a natural artist, be it making music or painting oil on canvas, you'l be doing this regardless of wether or not you know there is a pay cheque waiting at the end of it. You do it for yourself first and foremost, if anyone happens to like it and likes it to the point of either wanting to buy the work or release it to the public to buy, then happy days. If not, its still happy days. Or it certainly should be.

Most artists in techno at the moment are pretty much part time anyway, i know of very, very few people who literaly just produce records or dj to make their living. In terms of mastering, you have to remember most mastering engineers work over a broad range of projects, run mastering suites or houses where they have all sorts of commisions or work on the go, im pretty much certain that the lack of techno labels wanting to master through them is not going to affect their business at all, and if it was too, then they should genuinely look into the meaning of the saying "putting all your eggs in one basket"

you have to remember that, certainly in my experience, people work in a very much community minded environment, and as long as you've got friends to help you out now and then, then offering a free label wont have any affect on the current techno scene at all. In this example, the design seems to be done by the guys who do the flyers, or am i wrong (sam or jay?) and i would be pretty certain that they have a good relationship as theyve been using the same designer since day 1 as far as i know. I personally know plenty of top designers, producers and a few really top draw mastering engineers who i know would be more than happy to help me out if i was to offer a free net label, and certainly wouldnt ask me for payment. I would however offer it, but i know for certain they wouldnt take my money off me, and in turn i would offer them help in whatever they needed, whenever they needed it.

All offering a free label does is show that the guys behind it have very, very good business heads on them in the sense that starting or running a vinyl label right now is pretty much financial suicide, unless you happen to get lucky and the stars all align and bring great sales, but however, and its a shame, it just isnt working out that way.

The only thing that will bring more money to Techno is more coverage for techno, more fans of Techno and if the people already involved in the Techno scene all raise their game to do this, but even then the days of being able to pay the rent off a release are long, long gone. This isnt 1997 anymore, anyone thinking they are going to make their fortunes off techno be it as a producer or a dj needs too take a long, hard think

I agree with scott regarding,the financial rewards within techno.
If u wanna make money,id say dont make techno..choose house,drum n bass,whatever...and that goes for djing to.
Yes obviousley,you want some sort of payment if ur playing gigs and putting work into releasing stuff, but for me its about the love of it.
When i first started playing out and getting bookings,for the first year or so,i was happy playing for free as i craved the buzz from playing to a crowd,then eventually after getting my name about and playing out more and more outside of the northwest,i started getting paid for what i was doing.
Ive not released anything yet..(fingers crossed,its gonna happen and il try my damn hardest to do so) but its not for money,its for my love of it.
Of course,if u can get some cash from it,great..if not,great still.I want releases to try boost my djing,as thats my main background and what i do best.
First thing a lot of my mates say to me when im telling them about a gig ive got coming up is "how much u getting paid" which pisses me off sometimes as they think im doing it just for the money.
If some one said to me tomorrow "you will never earn a bean from djing or making techno ever in my life" id still carry on doing what i love doing regardless.

Quote:

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Originally Posted by Siege

If some one said to me tomorrow "you will never earn a bean from djing or making techno ever in my life" id still carry on doing what i love doing regardless.

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and there it is, right there

its a good point with the financial rewards point. i've only ever been paid a few times for dj'ing and its ended up costing me money a lot of times with putting coaches on for people taxi's ect but fu ck it i do it cos i enjoy it and i like playing out.
Am sure it is the same for the locked guys with their label they want as many people to hear their sound as possible and I really think its great they are giving people something for free not only this download but the free nights as well.
Good luck guys and keep up the good work!

maybe inigo kennedy should stop knocking out the free mp3s aswell and start charging for every one of them?

Quote:

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Originally Posted by Frank Dogshit

maybe inigo kennedy should stop knocking out the free mp3s aswell and start charging for every one of them?

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good point

Inigo, if your reading, bloody damn you for scourging our scene with those blasted free mp3 releases that usually blow away anything that's for sale on Juno that week, i dont care how consistant and forward thinking you are, or what you've done for techno over the years

ha ha! :)

It's good to see free music~
Thank you again,and i dont think this is a bad move

Keep up the great work Locked!

it seems i'm in the minority here, not a problem.

i said earlier there's nothing wrong with putting out free mp3's as part of a marketing & promotion strategy (ie Skoog & kennedy), thats actually pretty good business sense. It's just the idea of it being a free label.

I just think that creative work should have a price. If not for making money then at least for giving it perceived value.

Quote:

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Originally Posted by MorePunkThanFunk

it seems i'm in the minority here, not a problem.

i said earlier there's nothing wrong with putting out free mp3's as part of a marketing & promotion strategy (ie Skoog & kennedy), thats actually pretty good business sense. It's just the idea of it being a free label.

I just think that creative work should have a price. If not for making money then at least for giving it perceived value.

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but its not a promotion strategy with Inigo, it's a free mp3 label that he runs, and it blows away most regular labels with pretty much every release.

there is one reason and one reason only for putting a physical price on a piece of creative work, be it a painting, an album etc and that is for the purpose of selling said work for a profit. I dont know anyone who puts so much money into something just to break even, and i dont know any artists who want to sell their paintings just to cover the cost of their oils

BUMP!

I accidently deleted the folder on my PC that had these tracks in them. I tried to click the zip file in this thread and on the Locked website, but the files gone. Has it been uploaded else where, or is it gone for good?

thanks guys. checkin it out now :)

yeah, it gawn...

Quote:

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Originally Posted by Sam_Horam

I think if you have money as a consideration when it comes to music then you've got a problem...

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hit the nail on the head there sam.

top release here, some real solid tracks, especially liking muller and sinistra.

looking forward to the next release

HELP! Any chance of getting this one again?!