stereo / mono

aloha

How do you use stereo? I tend not to.

On the understanding that if your tracks works well in mono its balanced well, mixed right and sounds good when its ultimately played out in mono on a rig.

My concern with stereo is that it can complicate your mix and balance, and when you switch back to mono your well balanced mix isn't well balanced anymore.

"kisses" by audion sounds notably bad when you mix it in your bedroom. The whole track is pretty much in mono, and it jars on a stereo home setup.
Then you hear it in a club and the filthy hoover noise tears the room apart, and wipes the floor with all the clever lush spacious stuff.

All the old detroit tracks seem to make minimal use of stereo, its only really present on the reverbs. And they still kill in clubs.

So... if you do use stereo, how do you use it and to what effect.

i usually have the main elements mono... kicks, central hats, subs, driving perx.. but then buttter up with some stereo stuff..

If I use stereo, I use width effecting, rather than panning.
I hate working in mono.
It`s bad enough having to compromise for vinyl, let alone the additional compromise for stereo.
But it`s something you have to do. If clubs were more competent and ran stereo, life would be gravey, but as we all know, that is very very rare.

I always utilise stereo, but like DB, i usually use width that dramatic pans. I find it usefull for placing more elements in the mix which may conflict on freqs.

Interesting - any pointers on width and widening?
I know almost nothing about this at all.

VSTs?

Er, if you can relate to the box idea for freqs spacing, then using stereo can add an extra dimension so that you have depth. This means that you can place a sound, which lets say is in the freq range 5000 - 6000, and another sound around the same feqs but at a different width. You can do this to many elements, but i always leave my bass and kick in mono.

I like the psp plugins personally, but it deppends on what effect im after.

Quote:

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Originally Posted by Jay Pace

Interesting - any pointers on width and widening?
I know almost nothing about this at all.

VSTs?

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wide boy.. it was a free plug-in but not available anymore..

im uploading it now for you

www.chrome-metronome.net/rhythmtechnologies/Wide_Boy.dll

Legend barry!

I get how widening gives you more space. I just don't get what widening involves.. what happens to the sound when you widen it?

If you balance a mix using widening will it not sound muddy when you revert back to mono?

Quote:

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Originally Posted by Jay Pace

Legend barry!

I get how widening gives you more space. I just don't get what widening involves.. what happens to the sound when you widen it?

If you balance a mix using widening will it not sound muddy when you revert back to mono?

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it creates a slight delay between each channel (which you can control) .. it only really fools your ears more than anything.. dont go too wide though or you'll lose a lot on the mix down.. i usually stop around 60% or so..

also it doesnt work on mono tracks.

When you widen though, will your mix not sound dodgy in mono when you lose the space widening made available?

Quote:

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Originally Posted by Jay Pace

When you widen though, will your mix not sound dodgy in mono when you lose the space widening made available?

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no.. because you're not actually widening.. like i said.. i puts a slight delay on 1 channell to fool your ears into thinking its wider.. similiar to a chorus effect only without the modulation.

but why do you have your mixes in mono anyway?

Quote:

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Originally Posted by Jay Pace

When you widen though, will your mix not sound dodgy in mono when you lose the space widening made available?

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and you dont use it over the whole mix.. just on parts

i like to use it on supporting synths and glitchy percussion... takes it away from the main parts and gives everything more room to breathe

Quote:

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Originally Posted by rhythmtech

no.. because you're not actually widening.. like i said.. i puts a slight delay on 1 channell to fool your ears into thinking its wider.. similiar to a chorus effect only without the modulation.

but why do you have your mixes in mono anyway?

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What I'm thinking is....

Your tracks end up being played through mono rigs.
All the stereo spacing achieved by widening is lost when the signal is converted into mono and driven out a mono rig.

So if your mix is balanced using widening rather than eq balancing the two instruments sharing the same frequency range which are seperated through widening will end up occupying the same space once your track gets played out in mono, and this could lead to a muddy cluttered mix.

So whilst widening gives things room to breath it only works if you hear it in stereo, and the moment you revert back to mono your mix ends up sounding cluttered.

This is my mistrust of stereo - I don't want to create the "illusion" of space only to find that my mix ends up sounding muddy when run in mono out of a club PA system.

to be honest ive never really noticed any muddiness playing out on any rig.. none that makes any differance really..

best bet is to constantly switch between mono/stereo when doing the mix if its something you're concerned about..

whatever the limitations of mono it still somewhat picks up on panning as balance, so i wouldnt be worrying about it.

heres something i stumbled along the way... it does mental stereo stuff for me....

1. set up 2 send/return tracks..

2. put a plug in that can invert phase on return 1 (utility in ableton) and invert the Left signals phase..

3 put something like the Waves Ultrapitch shift on the 2nd return track. this will add some weird detune .. (voice of zardoz is a good preset)

4 enable the send B of return track 1... so it will actually send a full signal to the ultrapitch as well as the master.

5 on your vst or audio track put up send A to full... u might notice this works as turning the ultrapitch on or off without actually have to power on or off anything and can make smooth transitions (u will have to have both Left and right phases inverted for it to work fully )

6. to finally get some weird stereo going on... pan the audio channel to about 9 oclock left. and voila... the mixture of detune of phase inversion makes some crazy spreads...

hope this makes sense...if not i can go through it..because trust me it can beef up pads, voices, and if you can manage the delay even beats..

sorry i dont know a 3rd party plug in that can invert phase of a single left or right channel... maybe you know Loopdon?

i did a quick example from a track im wokring on now.....only very slight... i can do something more drastic if anyone wants..

before

www.chrome-metronome.net/test1.mp3


after
www.chrome-metronome.net/test1b.mp3


the after leans slightly to the right but that was on purpose:)

anyway the magic is you can use pretty much every plug in to create weird stereo effects, which i dont hi nk ive heard before... particularly with stuff like GRM toolz delay / shuffle... madshifta, everything

what about doubling up instruments/synths/hats and panning each to the left and right?

Bigger sound with a bit of space.

Probably a bad idea if im doing it!

Quote:

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Originally Posted by stjohn

heres something i stumbled along the way... it does mental stereo stuff for me....

1. set up 2 send/return tracks..

2. put a plug in that can invert phase on return 1 (utility in ableton) and invert the Left signals phase..

3 put something like the Waves Ultrapitch shift on the 2nd return track. this will add some weird detune .. (voice of zardoz is a good preset)

4 enable the send B of return track 1... so it will actually send a full signal to the ultrapitch as well as the master.

5 on your vst or audio track put up send A to full... u might notice this works as turning the ultrapitch on or off without actually have to power on or off anything and can make smooth transitions (u will have to have both Left and right phases inverted for it to work fully )

6. to finally get some weird stereo going on... pan the audio channel to about 9 oclock left. and voila... the mixture of detune of phase inversion makes some crazy spreads...

hope this makes sense...if not i can go through it..because trust me it can beef up pads, voices, and if you can manage the delay even beats..

sorry i dont know a 3rd party plug in that can invert phase of a single left or right channel... maybe you know Loopdon?

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I know that Waves Q10 (and possibly some other waves ones) are capable of this. It's the + and - buttons.

http://www.audiomaster.it/software/d...agraphicEQ.jpg

This free solution might do as well:

http://i187.photobucket.com/albums/x...alCheckPic.jpg

"I'm build vst plugin for mixdown check when my's project complete . It's simple vst but you can useful for more. Like to converse stereo to mono or inverse phase for pad /strings or soundFX to wide image each track. If you would like to test.

L+R : Stereo track to mono
R/L : Alternate spk. channel (2ch.only)
L-R : Inverse R Channel 180'
R-L : Inverse L Channel 180'

*vst 2.3*

wasan2k@yahoo.com "

DL:

http://www.4shared.com/file/20805126...nal_Check.html

Or RS PHASE VST v1.0

http://www.retrosampling.se/files/rsphase.gif

"Inverts the phase of either left or right channel."

from

http://www.retrosampling.se/vst.htm

And whil we are talking 'phase' - this is a sweety, too:

http://www.tritonedigital.com/images...creen_full.jpg

PhaseTone is a FREE frequency-dependent phase rotation and correction plugin.

PhaseTone allows you to manipulate the phase of your signal across a user-definable frequency range, with options for creating different phase and time-based offsets (if desired) for the left and right channels of a stereo signal.

Similar to hardware boxes popular for correcting phase relationships between signal-pairs such as bass DI and bass mics and top/bottom snare mics, PhaseTone goes a little further.

By allowing the user to select the center frequency and Q of the phase process, PhaseTone allows for more creative manipulation of phase when mixing, producing more EQ like results, increasing clarity and removing mud.

And, best of all, it's free!

http://www.tritonedigital.com/produc...33afbe4c1aa374

I'm getting into 5.1 :)

Quote:

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Originally Posted by massplanck

what about doubling up instruments/synths/hats and panning each to the left and right?

Bigger sound with a bit of space.

Probably a bad idea if im doing it!

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:) i do it to... maybe detune one of the slightly, works well!

You`ve heard my live pa, live, Johnny,
Tons of stereo width there, and it didn`t sound muddy right?

No, sounded great.

But I'm puzzled how in theory you can use stereo spacing to create room within a mix and then not lose it all when it bounces down into mono.

Or are club rigs just very forgiving?

Quote:

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Originally Posted by Jay Pace

No, sounded great.

But I'm puzzled how in theory you can use stereo spacing to create room within a mix and then not lose it all when it bounces down into mono.

Or are club rigs just very forgiving?

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Most clubs rigs are a pile of shite anyway, so as long as your bottom end is good, then the stereo really wont show up at all as a problem on a mono rig. However, if you have a really good rig, thats set up in stereo, then you really will benefit from propper stereo placement.

I don't think I've ever heard a rig set up in stereo anywhere.

Think you're right though - so long as there's bass people don't care.

Quote:

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Originally Posted by Jay Pace

I don't think I've ever heard a rig set up in stereo anywhere.

Think you're right though - so long as there's bass people don't care.

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Don't quote me, but I'm 90% sure we run in stereo at Filth.

Quote:

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Originally Posted by Jay Pace

I don't think I've ever heard a rig set up in stereo anywhere.

Think you're right though - so long as there's bass people don't care.

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Most of the rigs ive heard at Q-Dance events were stereo. Even the one for the mainstage at Defqon 1 was stereo.

I usually do ''bottom'' end in Mono, main synth part in mono, then back ground synth and hi end percussion in Stereo. I play my music through our rig (Punisher's, X-Tro's and Void amps, for any speaker geeks!) in Mono, and I don't notice any muddiness or loss of definition. I would imagine if you used ''extreme'' panning in your tracks then play back in Mono might alter the sound a little.

Like Jay Pace said; as long as there is bass, most of the punters/munter's couldn't care less.