to reclaiming its rightful place at the center of all electronic music? to the dustbin of history? to more and more scene-oriented sub-genres? to new, sub-genre-rejecting syntheses? back to the past? back to the future? etc.
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to reclaiming its rightful place at the center of all electronic music? to the dustbin of history? to more and more scene-oriented sub-genres? to new, sub-genre-rejecting syntheses? back to the past? back to the future? etc.
not sure where it's heading as such but this last year has been fairly amazing for techno, so many quality releases from so many quality producers
techno has truly gotten back to basics and musically, couldn't be in better health
the likes of dvs1, ben klock, james ruskin and marcel dettmann are really flying the flag at the moment, and there are so many others that i could mention
it makes me laugh so hard when people start moaning because one of their techno sub genres has run its natural course and become stale, whilst real techno continues almost completely oblivious :rusmile:
totally agree on the dvs1 stuff, though i still haven't picked up the single on transmat. the dettmann and klock albums were great too (though klock's was in late 2009).
with regard to klock, i was referring more to the recent releases on ostgut ton and klockworks, the tracks on the b-sides inparticular, just straight quality techno
the first remix he did of 'virton upgraded' is class too
edit: his berghain mix cd is really worth looking at also
Well, from my perspective Techno is going to be pretty damn solid for 2011. We have some ridiculously good releases planned for DirtyBass Recordings come the new year. I will of course, keep you updated!
Indeed :-) - but I can only comment on Techno from my perspective at the moment-
Well at the moment we have some Dark, chunky Techno on the way. A nice mixture between old and new. No previews as of yet.
I will send you a PM a bit later because I don't want to reveal too much at this time.
Truth. Seems 2011 will continue in this fashion, hopefully.
For me personally I got lots of new stuff coming out next year down the dirty, crunchy path. Sometimes dubby, sometimes sterile and clinic funk, as well as all of my upcoming spacey sci-fi tunes. Not a single track above 130, maybe with the exception of some tracks still looking for release dates.
Danny; would love to hear some of the upcoming stuff going out on Dirty Bass.
better post sound then words here?
also artists post you own.
where is techno going... to hell, thats where.
it can not go, as it has no feet. :doh:
2010 has seen some of the best techno ever you just gotta dig deep which is part of the fun bring on 2011 :rubiggrin:
I think techno is healthier now that some of the faddish scenes (minimal, dubstep, etc.) have grown less faddish and scene-driven, and more in the music's overall sonic vocabulary. I like when stuff gets jumbled up and repurposed; I hate scenes and sub-genres. I hope 2011 brings more recombination and less balkanization.
good topic, will share my ideas later.
I've really enjoyed some of the slower bpm tracks recently that manage to retain a sharp edge. Len Faki does this very well and the last Oniks release had some of the hardest 128 bpm material I've ever heard. I hold out hope that if the minimal leanings of the last five years can't be stamped out, at least tracks like that can begin to pull its devotees in the right direction.
As to real bangers? I believe rumors of their death have been greatly exaggerated. A lot of quality came out last year. There may have been more "middle-of-the-road" tracks released than ever that don't really stand out, but there was a fair amount of quality.
Just picked up the DVS1 single on Transmat ("Pressure/Polyphonic Love").
AWESOME.
the algarve, all inclusive.
I think 2011 is going to be when people snap out of trends and just start being themselves behind the boards.
CLR show it's a techno oracle for me at the moment and i'm really exciting where we all going with.
i can see lot's of potential for my fav genre and i'm sure 2011 will be definitely great year for techno at all.
Techno in California is going back underground again, check out this article on "TheLosAngelesTimes" newspaper.....
Raves would be outlawed at publicly owned venues in California under a proposal made Wednesday by a lawmaker after the death of a teenager and scores of injuries at rave events in Los Angeles and the Bay Area.
Legislation introduced Wednesday by Assemblywoman Fiona Ma (D- San Francisco) would prohibit the dance concerts on public property, including the Los Angeles Memorial Coliseum, where a June rave sent dozens to hospitals, including a 15-year old girl, who died.
Ma's bill would also ban raves on private property unless a business owner had a license to host such an event.
"Raves foster an environment that threatens the health and safety of our youth," Ma said. She called her bill, AB 74, "the first step toward eliminating these dangerous events."
Ma cited the case of high school student Sasha Rodriguez, who died days after falling into a coma after attending the Electric Daisy Carnival at the Coliseum. Dozens of others required medical treatment, and Ma blamed many of the problems on drugs used by those in attendance.
In May, two people died after overdosing at a rave at the state-owned Cow Palace in Daly City, south of San Francisco, and an additional five people were hospitalized, Ma said.
She cited a study by the National Institute on Drug Abuse that found that many teenagers attending raves use so-called club drugs, including Ecstasy, GHB, methamphetamine and LSD.
Rave promoter Jason Sperling of Skills DJ Workshop Inc. denounced the Ma bill as heavy-handed and urged legislators instead to try to deal with the broader issue of drug abuse in society.
"If electronic music is criminalized, our government will succeed in alienating a generation of Californians and simply drive dance parties underground — a less regulated, less safe, less sane situation than we have today," Sperling said in a statement.
Coliseum General Manager Pat Lynch did not return calls seeking comment Wednesday.
Raves are a big money-maker for the Coliseum, which recently lifted a moratorium on the events that was put in place after Sasha's death.
Pasquale Rotella, the promoter of the Electric Daisy Carnival, noted that the Coliseum Commission voted earlier this month to adopt safeguards that include requiring promoters to go before the panel for approval at least 60 days before an event. The Ma bill, he said, "ignores our 1st Amendment rights."
The raves can draw tens of thousands of dancers to enjoy high-volume electronic music, flashy light shows and interactive theatrical performances. The legislation would make it a misdemeanor to hold an event on public property "at night that includes prerecorded music and lasts more than 3 1/2 hours." It would provide for a fine of $10,000 or twice the gross receipts for the event, whichever is greater.
Ma said her proposed regulation is narrowly focused.
"The bill is not intended to impact traditional music concerts and sporting events," she said. "AB 74 is about cracking down on raves that harbor drug use and lead to teenage deaths."
hopefully better than it has been in the last 5 years tbh
hopefully techno pop it's head out of the sand for long enough to incorporate other influences and change and grow. it's 2011 FFS and people still think bpm is what makes music "techno"
i have heard techno at 70bpm, 100bpm, 190 bpm, 130 bpm, and yes even the dreaded 140 bpm.... i hope that ppl wake up to the fact that ANYTHING can be techno if it has that "techno vibe" you know what the **** i mean...
YouTube - Coil - The Snow
YouTube - Bandulu - Revelation
YouTube - The Higher Intelligence Agency - Ketamine Entity
YouTube - surgeon & james ruskin - sound pressure
YouTube - Martyn - Broken
YouTube - Martyn - Vancouver
YouTube - Gunjack - El Soplo Del Diablo (Noiz Remix)
YouTube - Dubstep
**** yeah, i tot agree.
140 Bpm techno is dope ;)
completely agree, though i think this is already happening, at least on a small scale. recent albums by mapstation, monolake, etc. are techno, but stretch the boundaries of what's considered "acceptably techno."
2010, to me, was the year we started moving past the mentality of "i've got my little corner and i don't want to know what's going on in anyone else's corner," as well as the retro-obsessive mentality of "now that i've discovered this one bit of old electronic music that hasn't been trendy for a while, i'm just going to revive it." i hope 2011 is the year of recombination, reinterpretation and redirection.
YouTube - Yello - Oh Yeah
listen this at minute 2:28 and tell me what track reminds you :)
techno is everywhere
In 2011, techno is going to the same place it has been to for ever - my ears!
I think gunjack was just getting at the electronic instrument manufacturers (and maybe scientific) idea of ideal dance bpm which according to Yamaha is 142bpm. TBH, when you're mixing stuff the bpm is changed anyway and I think it's probably best if your pressing vinyl that you keep it in a bpm range which will at least give the DJ a chance to mix it into other tracks :)
Although checking the numbers now, my tracks will only drop speed to 138bpm :/
4AM rinse it is then!
:scratchchin:Quote:
Originally Posted by Jeff Mills
....
The year is 2011 and I still haven't got my analog synth with at least 4 oscillators.
Techno isn't going anywhere until I get my synth dammit!!
I agree I'm going to do my own thing & ignore what everyone else is doing as I have noticed there is too many keeping up with the Joneses in the Techno scene
2010 was a good year for Techno the quality of releases coming out were amazing & they were real Techno as well lets just hope 2011 is the year Minimal dies for good
LET IT FLOW in 2011. :rubiggrin:
"Looking forward, Music (Techno) seems to be as wide open as it ever was. No one can solidly confirm its intention, purpose or direction.... The truth is that we can only be witnesses to something that has taken its own form, its own nature. As we all sit here at the beginning of a new decade (2011), I can't help but to think about how many more possibilities, more chances we have to communicate to each other. Many more ideas we're going to explore -- one way or the other!."
I wonder, does exploring these ideas involve recessing your instruments into the floor and crawling around like some kind of bored ant miming like you're actually doing something ?
Techno is going all over facebook in 2011 - with more and more people realising they don't even need a quality control threshold and can just shout endlessly about releases/forthcoming releases/gigs/reviews etc on all the major social networking platforms to the point where anyone who has half a brain is physically annoyed out of the scene, thus leaving a glut of thoroughly untalented also rans to mill about in the remaining quagmire, endlessly downloading their own music and telling themselves how good it is (beatport EXCLUSIVE, most likely)
Actually discount anything I've previously said, I just received a fax informing me that techno is going to the Maldives in 2011.
not on facebook :rucool:
nowhere with negativity :ruwink:
Techno's going bigtime again
Social networking sites-forget it
awol