You could look at Steve Riech's 'come out' which was basically 2 tape machines playing a looped vocal. With one tape machine traveling at a slightly slower speed. He was experimenting with phase/flange. Over the 6 min track it becomes more and more out of synch. :lol:Originally Posted by miss bass
It was all about the repetition of the vocal rhythm and a new(ish) type of effect. No percussion :lol:
If you took the rhythm out of a stockhousen piece it would become something bassed on random key progression, would confuse the shit out of people. :lol:
Kinda loosing the topic a little tho :roll: