I think the people making a lot of stuff have generally hit on something that works for them, have found it shifts records (Which is really hard in this day and age) as people see them as dependable DJ tools, and are really into the sound that they're doing which is fair enough. I also think despite a lot of stuff possibly sounding a bit similer coming from the london crew, the stuff A D is putting out on subvert, and some of the more recent stuff I've heard Julian doing is getting more diverse, which can only be a good thing... DigressingOriginally Posted by serox
Bottom line. Old skool acid techno (I.E. Drop Bass, Djax, Mike Ink, Communique) Rocks, Period. It's what got me hooked 11 years ago..