Quote Originally Posted by anx
when both tracks are in the mix....take one record and pull it back enough to make the beats going inbetween eachother which makes a "double time" effect, the exact same effect as pushing the delay effect with the parameters on 200, only this is the manual way to do it, and you dont get that echoing effect that is on the pioneer 600...

then take the other record and do the same and they back to being beatmatched.

go back and forth so you are juggeling your tracks from double time to straight beat, making little "fills"...when they are like this you can do some cool things when you cut with the cross fader or volume sliders....

took like a year for me to get that down to a science but now i can do it in my sleep....i decided to teach myself that after listening to a cristian varela mix...he does it all the time.

although it is really risky, if you **** it up then you run into a major train wreck

the coolest is if you have 3 decks, make 2 of the tracks go double time and it creates a drum roll effect, do it when the 3rd track is in a break down and kick out the track thats on the half beat right before the main track kicks in.
yeh been messin with that one alot too.....altho i usually dont take the other record and do the same so ther back to being beatmatched.

usually just fuk about with the faders and fx b4 taking the off beat one out.