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  1. #1
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    Parisma Eighties



    Parisma Eighties is a simple synth designed to create some Moog and 80's synth sounds - no particular brand or model just the sound and feeling.

    http://www.retrosampling.se/

    http://www.retrosampling.se/files/Pa...STi%20v1.0.zip

  2. #2
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    ET-200



    ET-200 is a "bucket-brigade" delay box capable of warm, crunchy, self-oscillating delays which are smoothly time-variable (i.e. you can squelch, bend and warp the echoes realtime).

    http://www.device.arcanedevice.com/?dubMe=sig%20mod

    http://web.aanet.com.au/stk/?f=arcDev.ET-200.v1.0.exe

  3. #3
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    WOW & FLUTTER



    A VST plug-in which emulates the playback speed imperfections of the pre-digital era.

    Features:

    - playback speed is modulated in realtime by up to six oscillators
    - intuitive controls: Non-linearly scaled controls allow to directly set the perceived pitch deviation depth and rate resulting from the playback speed modulation.
    - dual mode: In dual mode the left and the right channel are modulated separately.
    - flange mode: When the modulated signal is mixed with the original signal a flanging effect occurs. This feature recalls the times when recording engineers created a flange effect by applying pressure on the tape reel with their hand. Additional controls for feedback and delay allow to create more intense flange effects. Although the unit can be pushed to self-oscillation in extreme settings it will never cause digital clipping thanks to a compressor algorithm inserted into the feedback path.
    - A built-in test tone generator makes it easy to quickly check a particular setting with different signals or to use the plug-in as a self-contained "noise maker".
    - If a control has no influence on the sound in a certain mode it will disappear from the surface.
    - All parameters are controllable by midi controllers.
    - Pop-up hints help to understand the function of each control on the user interface. These appear when the mouse rests over a control.
    - Also the assignment of midi controllers is documented in the pop-up hints.

    http://www.interruptor.ch/vst_overview.shtml

    http://www.interruptor.ch/vst/wow_n_flutter_1_0.zip

  4. #4
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    ECHOLIVE



    "I built this plug-in for a live performance at the Bazillus Club in Zurich. It features a tap tempo function which makes it easy to create echoes that fit the timing of a live band. "

    Features:

    - the delay time can be defined by tapping the tempo with the mouse or on a midi keyboard or midi controller
    - alternatively the delaytime can also be set manually or synchronized with the host application.
    - latency compensation: you can compensate your soundcard's latency for perfectly timed echoes in live applications.
    - tape model including tape saturation, tape hiss, wow & flutter, low and high pass filtering, smooth parameter for continuous delay time changes like on a real tape delay
    - stereo-control: ping pong delay, time symmetry, stereo width
    - all parameters are controllable by midi controllers.
    - pop-up hints help to understand the function of each control on the user interface. These appear when the mouse rests over a control.
    - also the assignement of midi controllers is documented in the pop-up hints

    http://www.interruptor.ch/vst_overview.shtml

    http://www.interruptor.ch/vst/echolive1_0.zip

  5. #5
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    C'mon guys. Leave me a little note here, if you find sth. useful etc. would be helpful for all of us, i guess. can't check everything myself ;)

  6. #6
    Parsnip
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    Hey man - my Cubase setup is down at the moment, so I haven't had chance to check anything out for a while - but cheers for providing me with a massive array of toys to explore when I get it back up and running. ;)

  7. #7
    Junior Freak
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    ET-200 is brilliant, like anyhthing by arcDev. Checkout their new release canditate of DubbBox >
    http://web.aanet.com.au/stk/arcDev.Dubb.Box.v2.RC1.rar

  8. #8
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    Quote Originally Posted by bmovie
    ET-200 is brilliant, like anyhthing by arcDev. Checkout their new release canditate of DubbBox >
    http://web.aanet.com.au/stk/arcDev.Dubb.Box.v2.RC1.rar
    ahh another k-v-r regular, i guess. it ain't stereo yet, afaik. only to mention that, haha. didn't know if i should post it - glad you did, bmovie :cheese:

    thanks for the contribution :devilish:

  9. #9
    Junior Freak
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    :)

  10. #10
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    Milli Vinylli

    Old vinyl simulator



    It's something simple, just to add some noise to your creations.

    Specs:

    First row of buttons are to turn generators on/off.

    Phase buttons to switch variations position.

    Var: Adjust the level of variation depending of the generator.

    Vol: Volume knobs for each generator.

    Main Vol: Main volume of the sum of all generators.

    Fq: Frecuency or "tuning" of each generator.

    http://klanglabs.siliconemusic.com/

    http://klanglabs.siliconemusic.com/f...li_vinylli.zip

  11. #11
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    Scanned Synth VST

    Scanned Synth VST is the first VST plug-in to implement "Scanned Synthesis" - until now, this new synthesis technology has only been available to users of Csound and Max.

    Scanned Synthesis represents a powerful and efficient technique for animating wavetables and controlling them in real-time. Developed by Bill Verplank, Rob Shaw, and Max Mathews between 1998 and 1999 at Interval Research, Inc. it is based on the psychoacoustics of how we hear and appreciate timbres and on our motor control (haptic) abilities to manipulate timbres during live performance.

    Scanned Synthesis involves a slow dynamic system whose frequencies of vibration are below about 15 Hz. The ear cannot hear the low frequencies of the dynamic system. So, to make audible frequencies, the "shape" of the dynamic system, along a closed path, is scanned periodically. The "shape" is converted to a sound wave whose pitch is determined by the speed of the scanning function. Pitch control is completely separate from the dynamic system control. Thus timbre and pitch are independent. This system can be looked upon as a dynamic wave table. The model can be compared to a slowly vibrating string, or a two dimensional surface obeying the wave equation.

    Scanned Synth VST is currently in development and does not yet have a GUI (it uses the host's default GUI).

    "I would be really interested to hear about how you use the plugin and any ideas that you have about what the user interface should be like. There is currently a very large number of parameters and I would like to reduce that number considerably by removing those that are redundant and combining some groups of them into single parameters.

    Please send any feedback to me (John Proctor) at feedback@humanoidsounds.co.uk "

    http://www.humanoidsounds.co.uk/

    Scanned Synthesis in general:

    http://johnproctorconsulting.co.uk/s..._Synthesis.doc

    User manual:

    http://johnproctorconsulting.co.uk/s...ser_Manual.doc
    http://www.humanoidsounds.co.uk/

    http://johnproctorconsulting.co.uk/s...annedSynth.dll

  12. #12
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    MB CreamBass



    This is a little plugin to modify the lower frequencies in a mix.

    It uses a 12 dB/Oct lowpass filter to add a soft bass.
    Frequency and amount of the filter can be adjusted as well as wet/dry level
    and overall level.

    http://mitglied.lycos.de/mbplugins/

    http://mitglied.lycos.de/mbplugins/MB%20CreamBass.zip

  13. #13
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    MB MooLoPa



    As the name implies, this is a moogish lowpass filter :-)
    (and part one of my new Moo series, but the name doesn't imply that...;)

    You can control cutoff frequency and resonance as well as
    the envelope amount and mix between modulated and non-modulated signal.

    Inspired by Moogerfooger (TM) Lowpass Filter

    http://mitglied.lycos.de/mbplugins/

    http://mitglied.lycos.de/mbplugins/MB%20MooLoPa.zip

  14. #14
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    MB MooDelay



    Hm, what might that be?
    It's part two of my new Moo series

    You can control delay time, feedback and wet/dry mix
    and the highpass frequency

    Inspired by Moogerfooger (TM) Analog Delay

    http://mitglied.lycos.de/mbplugins/

    http://mitglied.lycos.de/mbplugins/MB%20MooDelay.zip

  15. #15
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    MB MooPhaz



    This is a 6/12-stage phaser with LFO
    It's the last part of my new Moo series

    You can sweep manualy or let
    the LFO modulate the phaser frequency

    You can control LFO frequency and amount, phaser frequency
    and q as well as output level
    The WID-button inverts the carrier signal on one channel
    to create stereo phasing

    Inspired by Moogerfooger (TM) 12-Stage Phaser

    http://mitglied.lycos.de/mbplugins/

    http://mitglied.lycos.de/mbplugins/MB%20MooPhaz.zip

  16. #16
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    MB Almost Soft Compressor



    This is my first attempt in comressor design
    The MB ASC uses a 1st degree polynom to calculate the
    softness „curve“, which actually is a line and not a curve

    It has all controls you expect on a compressor
    like attack, release etc.



    http://mitglied.lycos.de/mbplugins/

    http://mitglied.lycos.de/mbplugins/MB%20ASC.zip

  17. #17
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    MB Ultra Soft Compressor



    MB Ultra Soft Compressor

    The MB ASC uses a 2nd degree polynom to calculate the
    softness curve and generate a soft compression

    It has all controls you expect on a compressor
    like attack, release etc.



    http://mitglied.lycos.de/mbplugins/

    http://mitglied.lycos.de/mbplugins/MB%20USC.zip

  18. #18
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    MB MooRiMo



    This is a ring modulator with two oscilators
    It's part three of my new Moo series

    The LFO modulates the carrier frequency
    and the carrier modulates the input signal

    You can control LFO frequency and amount,
    carrier frequency and wet/dry mix
    The WID-button inverts the carrier signal on one channel
    so it can be used as autopan

    Inspired by Moogerfooger (TM) Ring Modulator

    http://mitglied.lycos.de/mbplugins/

    http://mitglied.lycos.de/mbplugins/MB%20MooRiMo.zip

  19. #19
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    Ez all, im new to the forum.

    Dont know if its been posted already cos couldnt be arsed to go through 20 odd pages.



    What Is It?

    Glitch is a highly-adjustable, semi-automated, realtime audio manipulation system which allows you to alter your music in a variety of different ways ranging from quite subtle to extremely bizarre. At its heart is a sequencer which sychronises to the host tempo and slices the incoming audio into user-defined patterns, applying a random selection of DSP effects to each slice.

    Now its not actually free, but the demo is highly usable with audio bouncing. It goes quiet for a few seconds every few minutes.

    The full version isn't much (30 euros). Well worth the money for this must have mangling effect. Respect

    LINK for D/L
    http://illformed.org/glitch/

    ENJOY



    FILTHYRICH aka RICHARD HALL (FLUXMUSICUK)

  20. #20
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    sonogram sg-1

    sonogram



    SG-1 gathers some features which are usually isolated in other sonogram tools.
    It works in real-time. It continues analyzing in the background, and only stops when you freeze it. Both in frozen or running mode, every time you click or drag within the sonogram area, frequency and amplitude rulers highlight the values corresponding to that point.
    A little LED-like screen shows you in detail analysis information and parameter modifications, or the transport position when idle.


    The unusual thing: it comes with six scientific color palettes (twelve considering they can be inverted, by clicking the palette twice), which can be switched on the fly with a single click. Each of them can highlight different dynamic ranges, from high power kickdrum beats, to little spikes coming out from the noise floor.
    Every palette can be shifted by simply dragging the dB ruler, to better contrast the right amplitude ranges.


    You can vary the number of snapshots-per-second on the fly, to increase or decrease the time resolution. At any time you can change the zoom ratio, without loosing in resolution over the signals which have already passed by.
    Of course you can scroll the zoomed screen while analyzing, to easily locate the frequency range of interest.
    A mark button is provided: it allows highlighting interesting parts of the waveform for subsequent individuation.


    DL:

    http://ag-works.net/download.asp?item=plugins.sg1

 

 
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