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  1. #1
    Junior Freak
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    Default Digital - ringing hats

    Is there any way to replicate nice, ringing crunchy hats without a mixing desk and outboard compressor?

    I've thought of sampling, which could be the only answer, but I'd like to replicate if possible.

  2. #2
    Junior Freak
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    Crunchy...could try running them through a bitcrusher.

    Ringing...could try some creative EQing and a touch of reverb or delay.

    Or, use better samples. ;)

    (There's lots of things which will work up there in place of high hats...anvils, tambourines, shakers, bells, water chimes, high pitched sine stabs, white noise....in fact, you could try mixing in a quiet anvil with the hat, as not much rings more than anvils.)

  3. #3
    Junior Freak
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    well, what I have sounds pretty good, but I was just listening to what I've done in comparison to a Carlos rios track, and the difference is huge. Everything else is much of a muchness....

    I'm unsure of how to produce that really rinsing hat effect :cry:

  4. #4
    Junior Freak
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    Default

    What track name?

  5. #5
    Junior Freak
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    Default

    It's like 76.102Hz or something, off the Hardsignal 002 ep. I'm not trying to do exactly the same thing here, I just would rathe rfind out if you can replicate that sort of sound digitally.

    I've seen it done using a mixing desk and outboard compressor, with the attack on the compressor set very low. When I do something similar in Cubase it doesn't quite have the same effect. I'm guessing that it may not be able to be done and I'll have to sample and affect heaps....

  6. #6
    Supreme Freak
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    audio example?

  7. #7

  8. #8
    Junior Freak
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    Default

    This one is an Oscar Mulero track that better emphasis exactly what I'm after.

    http://mp3.juno.co.uk/MP3/SF163101-01-01-01.mp3

  9. #9
    Supreme Freak
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    that Mulero one sounds like high pitched ride cymbals, layered with a bunch of hats and over compressed. and being on vinyl, the high frequencies sound a bit funny too.

    you'll be able to do it in cubase. i'm gonna go mess around and see if I can come up with something similar.

  10. #10
    Supreme Freak
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    Alright I recorded this clip:

    http://www.soundformrecordings.com/m...0(preview).mp3

    Is that sort of what you're after with the highs? It's not completely ringing but I couldn't be ****ed messing up the track anymore :D

  11. #11
    Supreme Freak
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    Quote Originally Posted by Komplex
    that Mulero one sounds like high pitched ride cymbals, layered with a bunch of hats and over compressed. and being on vinyl, the high frequencies sound a bit funny too.
    that's what it sounds like to me as well.

    compressing the crap out of the ride with a short attack and short release will turn it into an almost steady blast of noise. you could then send the ride and hats to another compressor with more conservative settings (medium attack and release) to get them to blend and move together.

  12. #12
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    nice advice

  13. #13
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    Quote Originally Posted by Evil G
    Quote Originally Posted by Komplex
    that Mulero one sounds like high pitched ride cymbals, layered with a bunch of hats and over compressed. and being on vinyl, the high frequencies sound a bit funny too.
    that's what it sounds like to me as well.

    compressing the crap out of the ride with a short attack and short release will turn it into an almost steady blast of noise. you could then send the ride and hats to another compressor with more conservative settings (medium attack and release) to get them to blend and move together.
    ps: that makes me think of white noise, hehe
    gonna try that as well

  14. #14
    Junior Freak
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    raising the pitch of the 4th open hat gives it a nice flow as well

  15. #15
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    ah thanx, milesy, i like input like that.


  16. #16
    Junior Freak
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    thats assuming you using a 4x close/open pattern
    experiment with pitch changes and velocity :love:

  17. #17
    Junior Freak
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    i also got a nice pattern by doing this


    1 0 1 0 --- 1 0 1 0 --- 1 0 1 0 --- 1 0 1 0 --- close hats
    0 0 1 0 --- 0 0 1 1 --- 0 0 1 0 --- 0 0 1 1 --- open hats
    0 0 1 0 --- 0 0 1 0 --- 0 0 1 0 --- 0 0 0 0 --- medium tom
    0 0 0 0 --- 0 0 0 0 --- 0 0 0 0 --- 0 0 1 0 --- high tom

    put an accent on the beat and the offbeat, a higher velocity will do

  18. #18
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    thanx

  19. #19
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    Use a good ride hat,remove bass freqs add a touch of reverb then give it some deep compression fast attack,slow release to make it kind of breath........or try reverb settings with alot of reverb and a super low dry output so it floats over everything and sounds nice and distant.
    For some variation bounce it down(render the ride)and the reverb tail should be missing on the first or last hit.Or the pitching up or down idea is a good one

  20. #20
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    thanx, amigo ;)

 

 
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