This tune really works when playing techno to a mixed crowd (ie party people who want banging tunes but don't necessarily like the subtlety of most techno) and club nights are always far better when the crowd is up for it.

I think very often a lot of DJ's and techno geeks forget that not everybody in a club is a trainspotter or even a music fan - most of them are just there for a good time, to take drugs or to pull (or all lol) and they don't really care what they hear as long as some of it strikes a few chords with them. This tune has never failed to get more ppl on the dancefloor when I've played it, and that means more ppl dancing for the rest of the set (hopefully!), so I play this tune as a club tool, and it does the job - I don't care whether it's breaking creative boundaries or is well produced or not - it does the business in a club and that's all that matters. Chris Lib obviously recognises this too. (plus I think it's a good booty so ner ner na ner ner)