Apprently the German's have ruined techno.

[serox]

Found this amusing to read, agreed with some. you?

Frankie Bones

It can be sad when you realize how far we have evolved from the beginnings of House Music, 20 years ago. It was right now about April 1985 when J.M. Silk's "Music Is The Key" became the first recognized house track outside of Chicago. In New York City it was no big deal. Our Underground scene circa 1985 was ridiculous. We had Hip Hop/Breakdance/Graffitti emerge into a worldwide culture and the underground the came behind that was both the Garage scene and the Electro scene. Brooklyn was always second best to the Manhattan Elite, so DJ Culture in those days was based on the Brooklyn Block Party, a day where
one block in the Neighborhood would remove the cars and dance in the streets.

In those days, Disco Classics were the key to the party. Everything had to be based on memories. Nowadays people have forgotten where these genres come from because lets face it folks, dance music is here and now and disposable.

Larry Levan would turn in his grave if he could see the current rave scene that emerged from Brixton to the distant paradise of Aiya Napa. Not much different then Asbury Park, New Jersey, Aiya Napa is the Ibiza for the thuggish Bloods/Crips types who dance to "Garage" once a paradise of eclectic tastes, now a B-Boy Mic screaming Big Up over Rough house beats that only apply to sheer ignorant types. "Me Have Stick, Me bang pickle barrel, me make beat.......OMG".

And you German's and your Schranz? Do not even get me started. You ruined techno to the point where you cannot even say the word, and change it to Schranz and people think that is really cool, until someone like me blows the top off the roof. Who wants to battle. I will serve your ass up with Fries and a Shake.

Drum and Bass has always been a pretty cool scene. It still holds weight in the U.K., The States and Canada. And people seem to like it, except it is always a small room off to the side where DJ's play, and the DJ names are the same size on the flyer as the Trance guys, yet the room is 1/10 the size of the main room where Timo Maas will bring his new "Liquid" style that like Liebing is just the original formula tacked with a "Trendy" name.

What about electro? I think Tiga did an excellent job on his "Sunglasses At Night". Outside of that Peaches, Kitten and the rest of them live off the fact that they were on Felix's LP and it is
quite old and stale. Felix and Tommie Sunshine have made a little history with the nu-electro scene, but all you have to do is listem to some 'electroclash' and realize all it is, is a way to keep Larry Tee from drinking. Like the 13th step of an AA meeting...
Yuck.......

What is your feelings torwards music in 2005?

[Si the Sigh]

I will serve your ass up with fries and a shake.

:lol:

[dirty_bass]

Man, that`s hilarious.

[Si the Sigh]

Big up Mr Bones...

[serox]

Man, that`s hilarious.

oh it gets better.

I am about to change up my program. I took my first European gig in 5 years which will take place in Dusseldorf on June 18th.
What is really great about coming to Germany to play is that I have not been in Germany in 8 years when I played Tresor in 1997. I am confident that I will be playing a set of phuture-retro acid techno that will be so unique to itself that it will be like a breath of fresh air. When you take some obscure records like Luke Slater's Planetary Assault remixes like The Advent's "Bad Boy" mix into DJ Funk's Ghetto Series on UC into "Oakish" by Josh Wink into Si Beggs "Noodles Discotheque" volumes, Null on Force Inc., a few Wavescape joints like Knarz, with a Jack Rabbit Martin and obscure Armando ("Darkside" from 1994 on Radikal Fear), we are talking about a "Fool Proof" set. But when you start doing doubles by flipping the needle upside down while playing the second copy backwards by pulling the tonearm weight back and putting the record on a roll of duct tape, gravity becomes just a word now and acid lines become actual acid trips and your not on drugs. I am a mental patient not unlike "Hannibal" except I do not want blood, I want your undivided attention. And I do not need Ableton, just 2 Technics and a mixer. Once you see what I am doing, you will be able to understand why I sound like a moody prick when it comes to the scene in 2005

[gunjack]

i love it, bones says the germans ruined techno and then praises tiga, go figure.


yea i kinda have a thing with the germans right now too. either its kompakt or shranz and nothing in between....... anyway music in 2005? make your own and get your own.... your own sound, your own crew, your own way of doing things, because the generic shit folks are putting out these days leaves a big gap for us to do something original.....


GJ

[Adverse]

long live frankie bones.

[Heroes]

frankie sounds like the usa people i get matched against on halo 2 on the xbox........

[dan the acid man]

frankie sounds like the usa people i get matched against on halo 2 on the xbox........

haha, i know what you mean from my experiences with online gaming.

i love the way frankie says things, some of it i agree with, some i dont

[OriginalTechnobastard]

[

Frankie Bones

It can be sad when you realize how far we have evolved from the beginnings of House Music, 20 years ago. It was right now about April 1985 when J.M. Silk's "Music Is The Key" became the first recognized house track outside of Chicago. In New York City it was no big deal. Our Underground scene circa 1985 was ridiculous. We had Hip Hop/Breakdance/Graffitti emerge into a worldwide culture and the underground the came behind that was both the Garage scene and the Electro scene. Brooklyn was always second best to the Manhattan Elite, so DJ Culture in those days was based on the Brooklyn Block Party, a day where
one block in the Neighborhood would remove the cars and dance in the streets.

In those days, Disco Classics were the key to the party. Everything had to be based on memories. Nowadays people have forgotten where these genres come from because lets face it folks, dance music is here and now and disposable.

Larry Levan would turn in his grave if he could see the current rave scene that emerged from Brixton to the distant paradise of Aiya Napa. Not much different then Asbury Park, New Jersey, Aiya Napa is the Ibiza for the thuggish Bloods/Crips types who dance to "Garage" once a paradise of eclectic tastes, now a B-Boy Mic screaming Big Up over Rough house beats that only apply to sheer ignorant types. "Me Have Stick, Me bang pickle barrel, me make beat.......OMG".

And you German's and your Schranz? Do not even get me started. You ruined techno to the point where you cannot even say the word, and change it to Schranz and people think that is really cool, until someone like me blows the top off the roof. Who wants to battle. I will serve your ass up with Fries and a Shake.

Drum and Bass has always been a pretty cool scene. It still holds weight in the U.K., The States and Canada. And people seem to like it, except it is always a small room off to the side where DJ's play, and the DJ names are the same size on the flyer as the Trance guys, yet the room is 1/10 the size of the main room where Timo Maas will bring his new "Liquid" style that like Liebing is just the original formula tacked with a "Trendy" name.

What about electro? I think Tiga did an excellent job on his "Sunglasses At Night". Outside of that Peaches, Kitten and the rest of them live off the fact that they were on Felix's LP and it is
quite old and stale. Felix and Tommie Sunshine have made a little history with the nu-electro scene, but all you have to do is listem to some 'electroclash' and realize all it is, is a way to keep Larry Tee from drinking. Like the 13th step of an AA meeting...
Yuck.......

Yet again an old geezer yapping their mouth about the state of dance music when in reality they don't really have any idea of whats going on. Its never going to be good as their era is it? What the hell was he going on about the Electro scene. Miss Kittin and the hacker released eps way be4 Felix's album. So they in fact influenced that whole scene not Felix. Felix just seen the idea of new wave with chick volcals coming back and was quick to jump on it. He is wrong about miss kittin too. If he looked closely Miss Kittin's album is totally different then the Felix project. I agree with Larry Tee comment though. All that nonsense is heartless money making aimed music. But the real guys coming out of that scene are the real talent. Kiko, David Caretta The hacker. The guys with some real experience behind them who have moved on or made more bangers.

What is your feelings torwards music in 2005?

[/quote]

[serox]

wow this topic is big, even a echo in here. :lol:

[dirty_bass]

klang klang klang
sturm und drang

[OriginalTechnobastard]

;) ! Don't know how I did that but must get all the post out before my boss catches me sending them.

[Patrick DSP]

hahaha, that's wicked!

[djlukas]

frankie sounds like the usa people i get matched against on halo 2 on the xbox........

hahahahaha...

you said it all glenn!

Lukas

[Sunil]

Bones likes shooting his mouth off, but I like that, his words carry weight whether you agree or not.
He's the man, and he knows it.

[xfive]

:lol: :lol: :lol:

[audioinjection]

looks like schranz house is in the near future :lol:

[viagratek]

im waiting for him to accept my add request on myspace :lol:

[The Overfiend]

Bones is the truth, let it be known, and a super humble good guy too