To the collective artists known as Skulltunes :

[death on a stick]

why is your taste better than my 1234?

eh? you asked me how it was possible to use a blatant sample in a way that sounded original. While I didn't give explicit instructions on how to do so (there are none, rules don't apply, that's what causes stagnation), I don't see where you got that inference from.

To be a little clearer then, by "Everything need not go 1234, 1234, 1234, 1234" what I meant was that with a little creative sequencing you can shift the emphasis of any sound, be it sampled or not, so that it is not just the same format as the original sound with your own kick underneath it. I've sampled world famous and very popular tunes, big long segments of them, and people have still not recognised them until I explained how it was done.