Quote Originally Posted by Evil G
lately i've had some success with bussing all my sounds other than the kick together and using eq to carve out space for the kick, usually with a notch around 50 hz (or wherever the oomph of the kick is) and another notch around 1.25 khz (or wherever the top/presence of the kick is).
Ha. Simple idea which probably would sound great and save me a shitload of time. Anyone know of an EQ that works from a key trigger? It would be even nicer to have the carved out ranges from the rest of the mix come in when the kick is silent.