Marco Bailey Questions

[eyeswithoutaface]

well i passed on the more 'suitable' questions i will put the interview up when its finished.

I do agree with a lot of what people have said...... but lets face it he makes a lot more money than any of us do from techno, so he's obviously doing something right

with all due respect that's a stupid thing to say, and very naive too, it's more than well known that Marco barely has a hand in about 95% of his 'own' records and if you measure success by how much money your making then in that case, none of us here are going to be successful i guess because i know i wont see a penny of my releases probably, so that must mean i havent had any success yeah?

that's it people we may aswell pack up and leave now, there's no money to be made here, R n B here we come!

[Heroes]

well i passed on the more 'suitable' questions i will put the interview up when its finished.

I do agree with a lot of what people have said...... but lets face it he makes a lot more money than any of us do from techno, so he's obviously doing something right

it wont be long before there turning out for gigs like this

[eyeswithoutaface]

WORD

[Sunil]

it's more than well known that Marco barely has a hand in about 95% of his 'own' records

Well, without totally insulting him (I interviewed him to help a local promoter over here plug their gig, not out of admiration for the guy!) I did bring up this subject:


Q: Many people interpret the idea of a DJ/Producer using a co-producer, as basically the DJ getting someone else to make their tracks, which is obviously only true in certain cases. As someone who has and does use co-producers such as Redhead and Tom Hades, how would you explain the process that goes into producing a track when you are in the studio with a co-producer?

Marco Bailey: The reason why I work most of the time with my BEST friends for years is : because we understand each other for years in a very great way, I helped Tom & Redhead a lot and still now in the beginning of their career, and will do all for them until the end of my life ! ; also to make tracks more interesting I mostly work with them ; I prepare many tracks alone at home but mostly hook then up with them to the end mixes etc or doing changes. Tom is a computer specialist & Redhead has the best ear for a mix in the studio, I do the programming , structure , sounds choosing , ideas¦ Basically I'm a dj for 20 years now, I've been through many kinds of music from Rock to Hip Hop to New Beat to House to now Techno etc etc .. doing parties , running 4 labels etc etc.. too much to actually concentrate on only studio work which I'm going to do definitely more in the future. And I am honest that I work a lot with co producers, and not like many other guys who say they don't, but actually do it also all the time ! :)

[Tobeee]

not half bad his statement...

i`ve heard him yesterday in Lahr/Germany on a rave...

please ask him why he is going to play after an mind-blowing Set from Ben Long such an ****ing boring tech-house minimal Set including mostly hits like in an 1/2 - 3/4 year old Sven Väth playlist which everyone had heard 1000-times too often?

and why was his appearance such unemotional like he would read a newspaper or crochet a pot cloth??!?!?

[fresh_an_funky_design]

i agree with the fact the marco bailey does chuck out lots of tunes with not a lot of effort in.. but equally he has released some wicked records.

Although he's prob not in it for the money, it is however his career and how he puts food on the table.

For those of us who produce in our spare time we can afford to spend vast amounts of time on a tune, however if its ure job you may be required to make a few tunes in a short space of time which is obviously gonna lead to trade off's with the tune quality.

I dont think any1's into techno for the money, as eyes said otheriwse we'd be making r'n'b... but if you can make enough money from it, to do it full time then i think all of us would.

anyway thats my perspective of it!

[massplanck]

For those of us who produce in our spare time we can afford to spend vast amounts of time on a tune, however if its ure job you may be required to make a few tunes in a short space of time which is obviously gonna lead to trade off's with the tune quality.
anyway thats my perspective of it!

if i was a mod i'd ban u,

[The Overfiend]

Wow
I just fell on the floor.
Lol.

[massplanck]

Wow
I just fell on the floor.
Lol.

:lol: ;)

[Heroes]

For those of us who produce in our spare time we can afford to spend vast amounts of time on a tune, however if its ure job you may be required to make a few tunes in a short space of time which is obviously gonna lead to trade off's with the tune quality.

if ya pulling month in month out circa 20 grand from djing, personally i would say this should allow a greater freedom to get stuff spot on. thats the finacial freedom lets say, premiership jocks/producers have but most of the time dont abuse.......

[Miromiric]

Marco Bailey: The reason why I work most of the time with my BEST friends for years is : because we understand each other for years in a very great way, I helped Tom & Redhead a lot and still now in the beginning of their career, and will do all for them until the end of my life ! ; also to make tracks more interesting I mostly work with them ; I prepare many tracks alone at home but mostly hook then up with them to the end mixes etc or doing changes. Tom is a computer specialist & Redhead has the best ear for a mix in the studio, I do the programming , structure , sounds choosing , ideas¦ Basically I'm a dj for 20 years now, I've been through many kinds of music from Rock to Hip Hop to New Beat to House to now Techno etc etc .. doing parties , running 4 labels etc etc.. too much to actually concentrate on only studio work which I'm going to do definitely more in the future. And I am honest that I work a lot with co producers, and not like many other guys who say they don't, but actually do it also all the time ! :)

WOW my respect to the guy