Quick question. When did you come to consider your potential audience as not involved in the industry? They're just as much the industry as you are since, without them, you've got no choice but to share your music for free. See, those who don't run labels or produce are a big part of the industry, if not the biggest, and they have spoken loudly when it comes to digital music. The fact is, the market wants digital music moreso than vinyl. Now, whenever this issue comes up, I don't understand why people feel a need to act like it can only be one or the other. You can sell both MP3s and vinyl if you want. And, let's face it, even in your 2nd/3rd world "no broadband access" argument, techno records aren't exactly getting shipped in their easilly either. It becomes a luxury item or a gift by touring kids. Seriously, anyone fighting digital at this point is already left behind. And that's why you're seeing some of the tantrums. You're witnessing no shortage of artists who are feeling like someone justOriginally Posted by DeafMosaic
walked over their grave. One of the things that got me into techno was the complete lack of rockstar bullshit. That seemed to change down the line somewhere. But, just as techno stuck up it's middlefinger at a lot of the rockstar bullshit in the past, you can expect a rude awakening if you think that element is going to come around and burn you at some point if you start acting the same. Who gives a **** about producers with attitudes when most people can download a ridiculously simplified version of Acid and be 100% happy with the output? Doesn't matter if people think it's crap either. It's just a way for such people to paint themselves into a corner of obscurity while the rest of the world does what it wants to do.





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