A small theorem

[miasma man]

I agree, you have to be in it for the right reasons hopefully cos you love music more than money - what makes you happy? A good topic.

[BritishMurderBoy]

ampassasinbirmingham: well if your starting a label u nearly always get somebody fairly well known to do a remix. I think mr eg did it and many others too. it is sometimes a case of people selling out, but in other cases like Blackout audio it was just a way of stamping your feet in the scene, letting people know what BA is all about, so when ure next release comes out people pay attention.

its not always the case of a big name appearing on the record for sales. if your record is an abselute belter and the distributers dont get it about enough, then it might not catch on. if you include somebody well known on a record it almost brings familiarity to the record.

[BritishMurderBoy]

......quality sells imo. how do 'big names' get big???

thats an interesting point... due to the nature of techno it is not affected at all by outside influences such as the media... i cant turn on ITV1 and watch "techno academy" or see an advert for the next release on downwards so i would agree that a producer in the techno world who sells lots of recods is going to have had a lot of respect at some point during his/her career..

conversley a pop artist can become famous over night due to the advances of mass media and global capitalism....

[DJZeMig_L]

seems I lots the train a bit here...

so quickly.. 4 a fact only good music doesn't sell, luck and A VERY GOOD DISTRIBUTION/ HYPE will do it 4 sure...

I've had some stuff on a few resonably big labels still ain't doing more than 2000-3000... so only being on a big label doesn't cut it...
2nd evidence - I know some very big names how released some really nice trackz (imho) under an unknow guise.. they did fuc*in 600 copies!?!? and the trackz really ripped it up nicely!!

Why does a big name sell lots more even if tracks ain't that special??
Well most rec. shops buy what they'll think will sell, 2 much stuff is coming out each day so they can't b bothered 2 listen 2 everything.. so let's take the easy wait out!! THE SHOPS R PLAYING A BIG ROLE IN THIS...

E-Shops .. should make the difference, and they do BUT most people ain't as pationate as we r so they won't listen 2 absolutly everything looking 4 those especial records... Fuc* labels, Fuc* distrib., Fuc* Names.. we want good music :!: SIMPLE AS THAT!

So who do U sell get a big label (if u start one invest in a few big name remixes), make tracks that sound like some1 famous, find a good distribuitor, master at Nielz 8form the Exchange)... lol...

Or keep your soul do what u like ... CRIME is keeping it legal! ;)

my 2 cents,

Z

[Ritzi Lee]

ampassasinbirmingham: well if your starting a label u nearly always get somebody fairly well known to do a remix. I think mr eg did it and many others too. it is sometimes a case of people selling out, but in other cases like Blackout audio it was just a way of stamping your feet in the scene, letting people know what BA is all about, so when ure next release comes out people pay attention.

Well i'll tell you something funny. I allready had everything to do a label for like 2 years now. But i really started my label this year because of a very surprised offer from a distribution who accidently spotted my tracks. That was 4 months ago. In these 4 months we only did some PR / promotion that a first release is comming up. Now everyone in the Benelux is waiting... and it won't matter how long it takes. I have 3 tracks of my own. The master sounds really great!! And now i'm waiting for a remix for one of my tracks. (the producer behind this is still a secret. sorry!!)

its not always the case of a big name appearing on the record for sales. if your record is an abselute belter and the distributers dont get it about enough, then it might not catch on. if you include somebody well known on a record it almost brings familiarity to the record.

Yes indeed. And it will help to get your records faster through the big distributions. Especially the ones in Germany. The biggest offers are over there. Half of the work is done for me, cause i have a good distribution behind me who works for the full 100% to promote my record all over.

[Ritzi Lee]

......quality sells imo. how do 'big names' get big???

thats an interesting point... due to the nature of techno it is not affected at all by outside influences such as the media... i cant turn on ITV1 and watch "techno academy" or see an advert for the next release on downwards so i would agree that a producer in the techno world who sells lots of recods is going to have had a lot of respect at some point during his/her career..

conversley a pop artist can become famous over night due to the advances of mass media and global capitalism....

In Holland we have ID%T radio and also some fancy magazines. All good instruments to promote your label. In Germany there are even more of these kinds like Kiss FM and Groove magazine and so on... So there is enough possibility to create some attention.

[Kangxi]

good discussion.

just out of curiosity can anyone mention how much a producer gets for say, a two track relaese on one of the bigger labels? would they be paid a flat fee and a royalty for each copy sold?

[DJAmok]

I´d say distribution is everything. I´m experiencing it myself, my Record on Highball with Discomania Distribution has sold over 2000 copies in a manth, whereas my Artillery releases, although better, haven´t even sold 1000 yet :cry:

[The Overfiend]

Yeah, you'd be surprised. Sometimes a "big name" producer will sell records just for the name, but often feel the label name is even more responsible than the artist sometimes.

The fact is, we all know techno sales are in the shitter, and many big name techno DJs pockets' are wearing thin.

At the end of the day if some popular techno artist puts out a shitty record it will still sell, but not as good as one of their "hits."
Instead of selling maybe 6,000 of their hit, this shitty record with their name will sell say...2 or 3,000.

I can think of a few swedish guys who gave some tracks to American labels. These swedish guys usually push about 4,000 records, I am not even sure if their u.s. releases pushed 1,500+ records...and its because the tracks sucked. (And no, I'm not thinking about Headroom)

I know exactly what producer and what label you're talking about, ain't it the truth.

[davethedrummer]

renato cohen pontape
like it or hate it it was not only massive but it refloated renatos almost finished djing career overnight, sold thousands , got renato all over the world, gave him tons more wok on other very respected labels.

what did it?

money.

more money makes money.
if you are clever you know your industry your target audience and your territorys.
you have deals in place with all major distributors, media/advertising , and shops
and you have the worlds most famous dj spearheading your label
playing the track to death all over the world.

and like mit or hate it it is good for what it is
it is well produced , sounds the same everywhere you play it , and works on the dancefloor (why i don't know but it does)

so there you go having a BIG name on you record doesn't mater a toss.
having a lot of money and a rigorous sense of good business will sell records galore

i reckon anyway