Dear Rulaz !
Working on sounds for nearly 12 years now and have a little question...
if you guys want to tell something about your secrets. :lol:
Post something about using the band, what sound you send through and and and....
rock on
tEC![]()
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Dear Rulaz !
Working on sounds for nearly 12 years now and have a little question...
if you guys want to tell something about your secrets. :lol:
Post something about using the band, what sound you send through and and and....
rock on
tEC![]()
don't really understand the question mate
As with all filtering, use harmonically rich source sounds to get a real effect... Detuned saw waves, made into chords are good! Band pass is an effect really, rather than a tool... Although it can be used to 'bracket' sounds in the mix to stop them treading on the toes of other sounds. In this case, best to use both a low pass and a high pass filter in series to give maximum control. Most EQs allow this. A small amount of resonance will sometimes reinforce the frequencies around the missing chunks, thus compensating for the lost ones.
As an effect, well, whatever sounds good sounds good.
Odd question.
T*
band pass and a bit of distortion then mixed back in with the original sound (adjusted for phasing errors if you are working in digital here) is sometimes fun...
thanx for theese little treatments.