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  1. #1
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    Hi Mark,
    That was refering to the time we cut your BOA001 record.

    I noticed the sound on my remix was odd, even in the unfamiliar room we were in, then saw the engineer was additionally squeezing my remix through a compressor to get more level onto the vinyl. That I personally didnt want. It was removing the feel of the track just for the sake of a louder cut. I never said anything about not wanting people touching my stuff in mastering! I have always loved getting my stuff mastered at different places, and always enjoyed giving the engineers complete free reign to do what they felt was needed.

    Cheers, Chris.

  2. #2
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    Quote Originally Posted by Chris McCormack View Post
    Hi Mark,
    That was refering to the time we cut your BOA001 record.

    I noticed the sound on my remix was odd, even in the unfamiliar room we were in, then saw the engineer was additionally squeezing my remix through a compressor to get more level onto the vinyl. That I personally didnt want. It was removing the feel of the track just for the sake of a louder cut. I never said anything about not wanting people touching my stuff in mastering! I have always loved getting my stuff mastered at different places, and always enjoyed giving the engineers complete free reign to do what they felt was needed.

    Cheers, Chris.
    A haaaa! I understood you wrong. Oh well it certainly made me look more into mastering anyway hehe.

  3. #3
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  4. #4
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    Yeah.. I was under the impression that for the most part you shouldn't master your own stuff because you have invested so much time into it that you will be missing things that others would catch..

    That's what that Dave Moulton guy says in the article above too.

  5. #5
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    that article is excellent. thanks for that man. i actually read a book recently by bob katz called mastering audio and it's highly scientific. i think that's the thing with mastering, it's based on principles rather than making the music, which is based on feeling and your ears.

  6. #6
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    i have that book in PDF.... i think ill have to print it first before i get to read it coz i cant stare at a screen for too long like that.

    but ill take your work that its one to read!!

    nerd on :D

  7. #7
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    Quote Originally Posted by MARK EG View Post
    that article is excellent. thanks for that man. i actually read a book recently by bob katz called mastering audio and it's highly scientific. i think that's the thing with mastering, it's based on principles rather than making the music, which is based on feeling and your ears.
    Producing isn't a science, it's not an art... it's a craft.

  8. #8
    Ultimate Freak
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    Correct me if im wrong but isnt mastering for cd and mastering for vinyl two completley diffrent things?

  9. #9
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    Quote Originally Posted by Siege View Post
    Correct me if im wrong but isnt mastering for cd and mastering for vinyl two completley diffrent things?
    There's commonality to both, but mastering for vinyl pays special attention to the limitations of the format... No stereo bass frequencies etc.

 

 

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