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There are a lot of people with claims in, so I wouldn't worry so much about the MCPS. I'd worry about the Record Industry pressing plant who have a massive claim in. As 90% of their stock was pressed there, you can guess where the stock is going to end up.
If you had a P&D, I'd forget about the stock they are holding and get read for a bill if you owed Intergroove anything.
Last edited by Martin Dust; 19-11-2006 at 11:54 AM.
Maybe not MCPS, but GEMA in germany has collected money from Zinch for the track I did for them even though I wasn't a GEMA member.. Maybe this is because GEMA had a reciprocal aggrement with my publisher, but a bit rough on Zinch considering I thought there would be no problem with them having to pay mechanical royalties...
if you have a deal with a publisher as appose to MCPS or GEMA etc, you can at least do a deal with them where it says on paper that you paid your mechanicals without any money changing hands i.e. you say that you paid him, he says that he recieved the money and then paid it back to you on your royalty statement...
my point being that he would invoice me for the mechanicals of a release on my own label, take it out of my publishing advance, not take comission as he doesn't take commision on releases by writers releasing on their own labels, and then pay it back to me on my publishing statment.. problem solved...;)