getting an agent. whens the right time?

[rhythmtech]

@ eyes:

its more the label thats big rather thhen me thinking thhat the release is gonna be big (unfortunatly, much as i would love to, in this day and ahe i havent a clue if it will be a big seller), but i do get where you're coming from.

@ sam:

you're right, everything is a risk these days but hopefully some agencies are willing to take a risk.. i cant see how taking on an artist is any big outlay for an agency (but then again i dont know the ins and outs of how they work).

does anyone know of any agencies?

the only ones i know of or have dealt with are

kinetic djz (space djz, inigo kennedy etc)
sufcollective
and 1 or 2 more i cant remember off the top of my head..

maybe someone knows some smaller agencies?

[eyeswithoutaface]

yeah agreed everything is a risk these days, Intergroove going down the other day just backs that up really. You will probably just get alot of conflicting opinions on this thread actually because i think agencies are a bit kinda "marmite" if you get me.

[RDR]

yeah agreed everything is a risk these days, Intergroove going down the other day just backs that up really. You will probably just get alot of conflicting opinions on this thread actually because i think agencies are a bit kinda "marmite" if you get me.

eh..

when did intergrove go down? missed that one (reminds self to not bury head in sand...)

[RDR]

Just read about it now... christ thats bad news...

its one thing after another these days isnt it..

what next?

[ant]

Ello mate. Just checking the new BOA site properly and I caught onto this thread. Thought Id shine some light onto it.
The first thing to bear in mind (and this is a big mis-conception about agencies) is that 99.99% of agencies rule of thumb is that they don't promote the artist. They are simply there for handling bookings. Yes there are things such as websites etc to "advertise" the agency, its artists and its existence, but you'll find that very little, if any money gets put into actually "promoting" the artists individually. This is 100% up to them.
Yes, agencies have a big book of contacts and is a good networking platform but most of the time (not always) its one way traffic. i.e. promoters getting in touch with the agent. When people get in contact to book an artist, they are normally very specific about who they want and if that artist is unavailable, things either get filtered through the remaining free artists on that date, or the promoter decides to change the date. I think what im trying to say is that joining an agency will not get you more work. Its purely booking representation.
Of course there are benefits as well as downsides. If the demand is there, an agency will take all the stress out of negociating dates, flights, money, visas etc... a godsend in my opinion! One of the downsides though, is that an agency will frown upon you doing your own bookings. You either have to be 100% on it or 100% off it. This is a necessity with any agency. Firstly, it eliminates the embarrasing situation of being booked for 2 different gigs on the same date, but more importantly its about commitment. A good agent will work hard so all parties are happy and that the gigs, flights, visas, etc work and run smoothly. This costs time and money (here we go with the boring business side of things!!!) We'd like it all to be free but unfortunately its not. To phone a mobile in South America 3 times a day you need to take out a mortgage! So if you were to go off and do bookings on the side without giving back to the agency, they wont be very happy. Firstly, they would be loosing out on potential booking fee if a date came in for you and you were'nt available, but also it just messes with the workings and formula that the agency adheres to. Things get complicated and its more stress than its worth.
That commitment works both ways though. Even though an agency tends not to promote, of course it is in their interest to get you work. This is just done by selling people over the phone. This comes back to demand which ultimately is up to the artists self-promotion.
I'm waffling now so Im gonna wrap it up. I wouldn't stress over it too much, thinking that maybe you're loosing bookings not being with an agency. You may find youre better off not being on one. That you get more gigs without. Henry took that route and is perfectly happy, whereas Chris couldn't survive without Rachel. Its entirely your desicion if and when, but its certanly not one that is career changing.

[ant]

I think what im trying to say is that joining an agency will not get you more work. Its purely booking representation.

Sorry, thisline should read:
I think what im trying to say is that joining an agency will not immediately grant you access to all the contacts and wont always results in more work. Its mostly booking representation.

[Aratron]

Ello mate. Just checking the new BOA site properly and I caught onto this thread. Thought Id shine some light onto it.
The first thing to bear in mind (and this is a big mis-conception about agencies) is that 99.99% of agencies rule of thumb is that they don't promote the artist. They are simply there for handling bookings. Yes there are things such as websites etc to "advertise" the agency, its artists and its existence, but you'll find that very little, if any money gets put into actually "promoting" the artists individually. This is 100% up to them.
Yes, agencies have a big book of contacts and is a good networking platform but most of the time (not always) its one way traffic. i.e. promoters getting in touch with the agent. When people get in contact to book an artist, they are normally very specific about who they want and if that artist is unavailable, things either get filtered through the remaining free artists on that date, or the promoter decides to change the date. I think what im trying to say is that joining an agency will not get you more work. Its purely booking representation.
Of course there are benefits as well as downsides. If the demand is there, an agency will take all the stress out of negociating dates, flights, money, visas etc... a godsend in my opinion! One of the downsides though, is that an agency will frown upon you doing your own bookings. You either have to be 100% on it or 100% off it. This is a necessity with any agency. Firstly, it eliminates the embarrasing situation of being booked for 2 different gigs on the same date, but more importantly its about commitment. A good agent will work hard so all parties are happy and that the gigs, flights, visas, etc work and run smoothly. This costs time and money (here we go with the boring business side of things!!!) We'd like it all to be free but unfortunately its not. To phone a mobile in South America 3 times a day you need to take out a mortgage! So if you were to go off and do bookings on the side without giving back to the agency, they wont be very happy. Firstly, they would be loosing out on potential booking fee if a date came in for you and you were'nt available, but also it just messes with the workings and formula that the agency adheres to. Things get complicated and its more stress than its worth.
That commitment works both ways though. Even though an agency tends not to promote, of course it is in their interest to get you work. This is just done by selling people over the phone. This comes back to demand which ultimately is up to the artists self-promotion.
I'm waffling now so Im gonna wrap it up. I wouldn't stress over it too much, thinking that maybe you're loosing bookings not being with an agency. You may find youre better off not being on one. That you get more gigs without. Henry took that route and is perfectly happy, whereas Chris couldn't survive without Rachel. Its entirely your desicion if and when, but its certanly not one that is career changing.

wiser and drier words have never been spoken afore on here dude! respect

[massplanck]

hmm. someone has a big impression of themselves that for sure.

agency? wtf? are we talking Louis Walsh here or what?

why not waterdown your sound? make some pop music or something?

maybe when techno gets back ontop of itself (ie people not posting about being pissed off about getting enough gigs) and actually becomes a proper medium of expression that ALL people feel then we can talk about not getting enough gigs.

**** sake. Boa get grip. Boa is going the way of intergroove etc.. out with the **** old. in with the new i say... people who are more worried about the true message of what we do as opposed to using it as a means to an end.. as career.. respect.. money.. whatever.

no offence rythmtech. i like alot of what you say etc.. but this is so retarded it made me break my boa ban to reply to it.

bigup eyes... listen to what he says. SOS **** all that business/career shit. what are you on about>

jesus fcuking christ

[massplanck]

ok im a bit pissed. i dunno why i came on here to pick old scabs. Rhythmtech is a sound dude.. and i understand why he might of asked the question.. but it could have been anyone else and would have reacted the same way. rip intergroove/pureplactic/boa whatever. stop hanging onto the coatails of something dead.. time to emerge from the ashes with somthing that actually says something about life as opposed to something that mimics that same old bollocks that techno has become'.

this goes for agent hunters and much as dark techno nerds. you are all missing the point as far as i am concerned.


massplanck> acting the maggot agin :)

[Clit Commander]

ok im a bit pissed. i dunno why i came on here to pick old scabs. Rhythmtech is a sound dude.. and i understand why he might of asked the question.. but it could have been anyone else and would have reacted the same way. rip intergroove/pureplactic/boa whatever. stop hanging onto the coatails of something dead.. time to emerge from the ashes with somthing that actually says something about life as opposed to something that mimics that same old bollocks that techno has become'.

this goes for agent hunters and much as dark techno nerds. you are all missing the point as far as i am concerned.


massplanck> acting the maggot agin :)

No need to be so aggressive, it's not the worse question asked compared to some of the retarded ones that pop up on this forum.

To answer your question...
Ant did a nice job of summing things up. In short, don't get an agent unless you really need one. Most agencies won't push you even if they tell you they will. That's only going to happen if you come across somebody who is a hard worker and really believes in you, or you're a huge DJ they can make a lot of money from. On top of that, most promoters hate dealing with agents. Agents are good if you suck at the business end of things or can't speak the language. Aside from that you can probably do better on your own just by searching the net for various club nights and clubs and contacting them directly. And while not always true, it does help a lot to have some decent sized records out.

[rhythmtech]

@ ant..

cheers for the wisdom m8, wise words indeed
.. now would you ever get back to me regarding the other thing we we're talkin about :briggin:

@ massplankton..

not really a high opinion of myself.. more looking for a way to get away from just playing ireland and a few uk gigs.

@everyone else

cheerz for the input.

[The Overfiend]

bigup eyes... listen to what he says. SOS **** all that business/career shit. what are you on about>

jesus fcuking christ

What I said was....
do what you feel is more condusive to your own career.

This is in the english language for "do what you think you may need to do for yourself."

Sorry but the people here saying dude don't get an agent you are not big enough?

That just sounds crass and jealous even, misery loves company.

If an agency approached rhythm and advised him they would be able to give him opportunities that were not present before then why not give it a shot, because he is not Preach? That is an insult, as far as I am concerned. I say do not let anyone hold you down Rhythm, let's be honest in the business aspect of this industry, regardless of how "big" your name is, when an agent is involved, not only does it add to someone knowing the level of professionalism you have involved in your craft, it also saves you in the booking realm from getting "jerked" finance wise. There are some real shady and sheisty people and promoters involved in this genre. I don't mind paying someone 100 dollars out of a 1000 to make sure I am not in a foreign land penniless after delivering my services. Some of the nay sayers in here must have never had any involvement in the business world. Quite Obviously.

[crime]

Sorry but the people here saying dude don't get an agent you are not big enough?

That just sounds crass and jealous even, misery loves company.

If an agency approached rhythm and advised him they would be able to give him opportunities that were not present before then why not give it a shot, because he is not Preach?

Speaking from experience, I would echo what Ant said, basically, from what I've found over the past 5 years is, if you're not getting bookings every weekend off your own back, you won't get bookings every weekend just because you join an agency. I don't think it's jealousy that is making people here say what they say, just the pure reality of the situation.. And just because you do a release on a big label doesn't neccesarily mean it will be a big seller.. More important is very good music and consistancy, that is better promotion than either being on an agency or banging out 500 e-mails or mix cds..

[rhythmtech]

Speaking from experience, I would echo what Ant said, basically, from what I've found over the past 5 years is, if you're not getting bookings every weekend off your own back, you won't get bookings every weekend just because you join an agency. I don't think it's jealousy that is making people here say what they say, just the pure reality of the situation.. And just because you do a release on a big label doesn't neccesarily mean it will be a big seller.. More important is very good music and consistancy, that is better promotion than either being on an agency or banging out 500 e-mails or mix cds..

thtas the thing though.. i am getting bookings 3 weekends of 4 most of the time..

anyway, it was just a question..

[crime]

Rhythm, let's be honest in the business aspect of this industry, regardless of how "big" your name is, when an agent is involved, not only does it add to someone knowing the level of professionalism you have involved in your craft, it also saves you in the booking realm from getting "jerked" finance wise. There are some real shady and sheisty people and promoters involved in this genre. I don't mind paying someone 100 dollars out of a 1000 to make sure I am not in a foreign land penniless after delivering my services.

Shady booking agencies exist also you know..... it's possible to get "Jerked" by them also....

[The Overfiend]

Ok.
I am not a scapegoat for this discussion.
All I am suggesting is for Rhythm to do what he feels necessary to boost his craft.
If he wants to get an agent so be it.
He asked for people's opinions and he got them.
Just because I tell him do as you wish does not make a focal point to express the pros and cons of having an agent.

[Clit Commander]

you know what? just go for it. if it all goes to sh!t you still have 3 weekends a month in Ireland. done deal.

[MorePunkThanFunk]

i was chatting with clodagh about this a while ago and she said that although she's with a few agency's she gets the vast majority of her gigs through her own website.

with what you said about emailing promoters, it's easy to ignore emails. try and build a friendship through email or phone, then maybe post a mix cd then broach the subject of gigs.

i dont know what its like for promoters but i get sent shit loads of links from people who i don't know with little more than 'have a listen'... or words to that affect. i think **** em, if they can't be bothered to first make some kind of contact and build a friendship then i can't be bothered to listen to there music. also if possible send well labelled mix cd's... who can be arsed downloading mix's they take ages. it's all about looking professionnal

[rhythmtech]

i was chatting with clodagh about this a while ago and she said that although she's with a few agency's she gets the vast majority of her gigs through her own website.

with what you said about emailing promoters, it's easy to ignore emails. try and build a friendship through email or phone, then maybe post a mix cd then broach the subject of gigs.

i dont know what its like for promoters but i get sent shit loads of links from people who i don't know with little more than 'have a listen'... or words to that affect. i think **** em, if they can't be bothered to first make some kind of contact and build a friendship then i can't be bothered to listen to there music. also if possible send well labelled mix cd's... who can be arsed downloading mix's they take ages. it's all about looking professionnal

cheers joe. i get exactly what you're saying, unfortunatly its getting the initial response from a promoter. im not saying all of them (i've met loads and emailed loads who are very friendly) but some just ignore you because as someone above said - they have their own roster of "name" djs.. so they play it safe with them all the time.

[Ms.Rhythm]

if your wanting agent contact numbers then i'd invest in the MIM "Music industry manual" for dj's and producers its basicly full of contact numbers which are great for networkingwith, you can get them second hand from amazon.co.uk for £22, a brand new one is like £60 odds i bought the 03/04 one from htfr for £5 but im gonna get the o6 one cause i found it that usefull.

thing with agency's is that most of them dont speicalize in the type of music you play, alot of it is based on the more popular side of electronic music . The clubs who are normaly hiring from agencys tend to be chain clubs that are intrested in house, hip-hop , r&b, maybe hardhouse n funky techno , music that girls who are into their high heels and poof drinks can dance too ya know?

Apart from that baz i would honestly invest in trying to market yourself abit more around the internet , start networking and find as many clubs around europe and the uk that play the kinda music you play and send them a demo, get friendly with them and youll probably be invited over to play. You could make anyone famous if you marketed them right SO GET TO IT BOY!