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So. Behind their eyes the hope in them was sickening, and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been, and breathing a gasp of relief when the children passed the point of asking questions about what life was for.
it does sound similar i guess :)
you might have to leave out notes that might not belong to the kick pattern..
i guess loading up the mp3 in your daw together with the midi file(s) would be the best way to follow the pattern played.
like this:
channel one: midi pattern -----------------------------------------------
channel two: mp3 -----------------------------------------------
so you can hear/see what's going on and in how far the midi is correct.
please report back, i'd be interested. you could even cut out a kick drum from the mp3 and let that be played by the midi.
i tried what i suggested and made some variations. i basically cut up a part of the mp3 and used the kick drums samples i gained for some loops. it's whacky, i know, hehe.
here's a loop package, 4 bars each @140 bpm:
three different kicks cut from the mp3, each loop with swing and without. seemed to make the shizzle gel better.
http://www.mediafire.com/?7mzmdmou0rm
is nice
haha
i just might try using this stuff in my next track
can u tell me again what did u use to get that midi track?
So. Behind their eyes the hope in them was sickening, and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been, and breathing a gasp of relief when the children passed the point of asking questions about what life was for.
celemony melodyne:
http://www.celemony.com/cms/
absolutely stunning program.
different detection modes
- 'percussive'
- 'melodic'
- 'polyphonic'
there's a vst version as well. but that doesn't have the same functions. superb nonetheless.
melodyne is the 'industry standard', i'd say.
i used it to analyze bassline-patterns from tracks as well. esp. good when the bassline patterns are free, i.e. in a break without percussion clogging the detection up.