shut up rory ye big twat
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shut up rory ye big twat
:ohdear::ohdear::ohdear:
ahh, you were that guy always asking for the boney m schranz bootleg. sorry but i dont have rubbish like that.
haha, i find it quite funny when people put me in that corner. 90% of the stuff i buy is not dark (or whatever you wanna call it).
"Techno Music is my Heritage. Techno is not dead DAMM IT!!" - Omar-S
yeah, mark already wanted me to run that forum on my own. but unfortunatelay i had to say no cause i'm too busy writing the new tunes for autechre, surgeon and carl craig...
anyways i say it for the second and last time: good luck with your label, rhythmtech. you guys can diss me as long as you want. i couldnt care less. gives me only a good laugh.
one last for you:
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"Techno Music is my Heritage. Techno is not dead DAMM IT!!" - Omar-S
good man fac
I'm gonna disagree with you there.
It's not what you're using, it's what you do with it.
Some of the most "cutting edge" producers use the most basic hardware / software imaginable.
Being expermiental is getting the kind of sounds that make people sit up and think "how the fuck did he get that sound?", regardless of how you get there.
If you make a great track with interesting noises in it, and someone says they like it but then turn their nose up when they find out you made it on Reason (or whatever), then that person is being a first class twunt. End of story.