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  1. #1
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    Default Master effects

    Prob a silly question.

    How many people make their tracks with some master effects on? compression eq etc. Or should you leave all master fx till the very very end or (not at all) if you are sending it off?

    Some times its a bit easy to just whack a bit of compression and eq on the whole mix to beef things up as you go along. But im thinking this is a no-no?

    Any thoughts?
    "The Taoiseach's plans are a quick fix, not a long term solution" - DJ Sunil Sharpe

  2. #2
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    It's something I used to do but I found it lead to over compression and all kinds of nastyness , best thing to do is to try an leave the master channel as clear as possible and try for as good a mixdown as you can get without it. Will give you more headroom and dynamics to play with at the mastering stage if nothing else.

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    Quote Originally Posted by herman View Post
    It's something I used to do but I found it lead to over compression and all kinds of nastyness , best thing to do is to try an leave the master channel as clear as possible and try for as good a mixdown as you can get without it. Will give you more headroom and dynamics to play with at the mastering stage if nothing else.
    What he said.
    I`m actually against self mastering altogether now.
    The mastering stage is much better handled by a 3rd party who can be more objective.
    I just don`t know who to send my stuff too, to do mastering swaps with.
    Last edited by dirty_bass; 02-07-2007 at 10:23 PM.
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    itd have to be the McCormack man me thinks!!

    ontopic: no master compression... if i want to cheat a little... i try some compression on submasters, like the main beat...

    that way i can still get the dynamics from the other elements...

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    That sounds about right.

    I can compress a bit with the sends for a bit of dynamics but I'll leave that master completely dry from now on.. no nothing. no eq/comp/spacial widening. Leave it to wavelab & the pros.

    I have stupidly done this in the past. Short term gain long term pain I suppose. Thanks guys.
    "The Taoiseach's plans are a quick fix, not a long term solution" - DJ Sunil Sharpe

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    Quote Originally Posted by stjohn View Post
    itd have to be the McCormack man me thinks!!

    ontopic: no master compression... if i want to cheat a little... i try some compression on submasters, like the main beat...

    that way i can still get the dynamics from the other elements...
    As much as I dig Chris`s stuff, I`d rather hand over my gear to someone totally not involved in the techno scene really.
    I should probably get in touch with the guy who trained me really.
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    Quote Originally Posted by dirty_bass View Post
    I`d rather hand over my gear to someone totally not involved in the techno scene really.
    .
    Interesting.
    "The Taoiseach's plans are a quick fix, not a long term solution" - DJ Sunil Sharpe

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    i find it better to compress in groups rather than the master channel

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    i tend to fall into both camps here. IF you know what your doing with effects your using on your master channel then thats fine, compression, EQ are valuable tools in this instance, but alot of people seem to think a compressor and limiting tool such as the Vintage warmer running into the red on their master is a good thing, when it clearly isnt. Steer clear of effects that really colour the sound. Just because something makes a very audible difference, be it really emphasising the highs or the lows, or just seemingly making the mix louder and phatter as it were doesnt mean this is a good thing, as its simply sheening over a bad mix.

    A little tip for checking just how much certain effects are colouring the mix is to go about one of your usual mixes, and then take all the master effects off one by one. See what the difference is on your track. If the track sounds notibly different, and not for the better, as you take the master effects off, then your mixes are being coloured over by the effects and thus makes for a bad mixdown.

    I would personally use some EQ and compression on the master channel, but in fairness i know what im doing with both and can accomodate both to my needs, and over the past few years ive learnt to present an actual good mixdown which is by far and away, to me anyway, the most important aspect. Once youve got a mix down which sounds great with no master effects on, then you've cracked it in my opinion

    the worst plugins ive found personally for colouring and masking the sound are the Nomad Blue Tubes bundle

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    Cheers Scott. Makes sense.
    "The Taoiseach's plans are a quick fix, not a long term solution" - DJ Sunil Sharpe

  11. #11
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    I think its useful sometimes to mix into a compressor as the compressor is going to completey alter the decisions your make.

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    I whack the master signal through an outboard compressor sometimes, to get a guage of what the track will sound like after someone more skilled than me gets their hands on it.

    But I only do it for guidance and reference. Sometimes your mixdown sounds a little flat, and you need to have an idea of what it will sound like beefed up.
    Just best to leave the beefing to the experts.

    Another vote from me for Chris in this respect. Top quality service.

 

 

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