the thing is chaps
production itself is not the issue here
it's WRITING thats the issue

i mean production , thats just about making things sound good right?
it doesn't really matter how you do it
as long as it works

and production has always been improved upon over the years
because we humans are just totally anal about what we listen too.

but writing , now thats different..

thats where you make descisions about key , pitch , rhythm , melody and most importantly concept

and thats the bit that is going astray
its the concept ( or lack of ) thats needed
we do need to hear some experimenting , and pretty damn soon.
cos the music is too safe
and i for one am getting close to giving up point now
cos there just isn't enought about to keep my set up to date with

all those key producers

bailey , sneo , beyer , henrik b , leibing , advent , krome , skoog and many more

all those guys would fill up my bag , and then i'd play a bit of london stuff to go with it
and it would work
but now it's just london , cos there just isn't anything else , and well thats just too london
even for me

i'm just still resisting , because i like the tempo of that music
and the groove

minimal is just too slow for me ( for a whole night anyway )
and schranz too fast ( for a whoile night)

we need mid paced techno

well i do anyway


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