well, to me it sounds like the main riff, and the complimentry riff could do with being left alone to do their thing, yes they are repetitive, but you can enhance repetition, and kinda make it the best bit of the tune if there is space, as someone else mentioned. Just look at that last tune Hawtin did for the latest DE9, it was abstract and very repetitive, but the repetition carried it. The percussion was all arty and abstract, but it flowed.

I reckon you have maybe got used to a certain way of using and forming percussion and are using that same process in every tune to an extent, not a criticism, it'll make your sound, but it's always good to detatch yourself a bit and ask yourself what kind of a tune you're trying to make.

I love the concept, production's ace, and it's a pretty brave tune, but if I was dealing with that riff, it would make me think 2 billion lightyears from anywhere, stuck on a spaceship with twenty gorgeous women with all the substances I'd ever want to abuse on tap, what would get me outta my space-chair and make me have a little shuffle-of-glee? Ok, total nonsense maybe, but I'm drunk.