I don`t think parallel compression is exactly an essential part of putting warmth into a mix.
It has specific uses, some engineers will say are essential others would say is totally pointless.
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I don`t think parallel compression is exactly an essential part of putting warmth into a mix.
It has specific uses, some engineers will say are essential others would say is totally pointless.
Solitary by nature.
Isolation is the gift.
Does anyone have courage to stand apart any more?
myspace.com/dirtybassgrooves
http://www.myspace.com/dirtybassvoidloss
http://www.subgenius.com
What went from an innocent conversation about hardware compressors has turned into a bit of an argument about software compression.
At the end of the day the facts still remain:
Digital compression is excellent
Analogue compression is excellent
Any prefences are surely subjective as any producer will be after their own sound / method. I personally (as a hard techno producer) love hardware compression and the ability to change the feel of a mix while monitoring and I personally value the hands on approach to compression.
Whatever we use it will always be bettered by something, and it looks as if this forum is the place to make sure we know when we are using the incorrect tools for the job, thanks guys for all your excellent advice it really has made me feel like there are people out there that do care.
I haven`t used DB Audioware for a long long time.
There old multi band and straight up stereo compressor was nice.
Very transparent but behaved nicely.
No idea about the new stuff, but I`m assuming your talking about the DB-D Dynamics compressor, which is fine as far as I remember for transparent compression.
Not absolutely into it`s attack and release behaviour, but I think for what you are using it for (pumping the mix cleanly?), it`s fine.
Solitary by nature.
Isolation is the gift.
Does anyone have courage to stand apart any more?
myspace.com/dirtybassgrooves
http://www.myspace.com/dirtybassvoidloss
http://www.subgenius.com