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  1. #1
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    Default Hardware compressors

    Are there any hardware compressors that have a side chain feature? can anyone give me some examples?

  2. #2
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    Quote Originally Posted by tonyc2002 View Post
    Are there any hardware compressors that have a side chain feature? can anyone give me some examples?
    Well, Sidechaining isn't actually a digital or software concept so the majority of Hardware compressors have sidechaining or an external insert , Try looking at the DBX 1066 it's pretty dam good and fairly affrodable.:)

  3. #3
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    Default Focusrite

    I like the compounder at £299, with the dbx 1066 £349 probalby the best entry level ones going
    both with sidechain of course

  4. #4
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    if you can find them, tc triple c. You'll have to find them used since they don't make them anymore.

    They come in Mono and Stereo, and can sidechain.

  5. #5
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    Urie, Summit audio, Focusrite, DBX.....

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    Wouldn`t spend anything less than 500 quid on a hardware compressor, otherwise software is much better.
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  7. #7
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    Quote Originally Posted by xfive View Post
    if you can find them, tc triple c. You'll have to find them used since they don't make them anymore.

    They come in Mono and Stereo, and can sidechain.
    I had the Triple C and used it religiously until i bought a Waves SSL compressor plugin. After that, i stopped using the Triple C but i would still never get rid of it.

    Awesome piece of hardware at an affordable price.

  8. #8
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    Quote Originally Posted by dirty_bass View Post
    Wouldn`t spend anything less than 500 quid on a hardware compressor, otherwise software is much better.
    better than a standard vst / rtas, or do you mean the UAD / DSP cards

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    Well for the money, you can`t beat the sonalksis stereo compressor.
    It is one of the very very few vsti compressors that truly handles like hardware.
    The way it handles transients and the way the attack works is just amazing.
    Can`t emphasise enough how amazing this compressor is.
    DSP cards are great too. I`ve got the Liquid Mix, which is simply amazing.
    URS compressors are really nice.

    Voxengo Marquis is a really stunning compressor, and again has a very good hardware like response.
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  10. #10
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    i 2nd the URS recommendation.

    I had to choose between a URS and Waves SSL, but went for the SSL simply because i liked the skin better.

    But both compressors are killer. I rarely even use my TC Triple C anymores.

  11. #11
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    Quote Originally Posted by dirty_bass View Post
    Well for the money, you can`t beat the sonalksis stereo compressor.
    It is one of the very very few vsti compressors that truly handles like hardware.
    The way it handles transients and the way the attack works is just amazing.
    Can`t emphasise enough how amazing this compressor is.
    .
    I noticed that the attack stage on this compressor has a maximum speed of 50ms. Isn't this a bit limiting, especially when you want to compress your drums. I'd have thought you'd want a faster compressor than that?

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    Actually the attack is .5ms on the Sonalksis and it`s about THE best software compressor for drums along with the MArquis

    As for the gamble between the SSL and URS, no competition there.
    With the SSL you get the SSL bus compressor, completely useless for techno.
    Good for pop mixes.
    Everyone has jumped on the SSL stuff suddenly, because they`ve heard SSL is a massive name in studios.
    But most don`t realise it`s applications in terms of the music. The SSL kit is great, but I wouldn`t say it is the most appropriate for techno.
    The URS compressors are much better.
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  13. #13
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    Quote Originally Posted by dirty_bass View Post
    Actually the attack is .5ms on the Sonalksis and it`s about THE best software compressor for drums along with the MArquis
    My apologies i made a mistake. I meant to say the release can't go faster than 50ms. For that sucking techno drum sound i'd have thought a faster release would be necessary to get the required techno sound. Somewhere around 10ms would be nice.

  14. #14
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    50 ms is more than enough.
    Faster than a lot of hardware compressors.
    It`s the auto release that is special.
    You should rarely need to go lower than 50ms, anything lower than that tends to be too abrupt and is prone to clicking and popping.
    Maybe down to 20 when you are using the compressor for specific surgical tasks, but then you would want something clean and solid state based rather than vintage and tubey.
    50ms is more than anough for sucking breathing and pumping. If you know what you are doing.
    Like I said, this thing behaves more like decent old hardware than any other vsti I know of. It`s simply amazing on drums.
    I pretty much only used that compressor until I got the Liquid Mix.
    Last edited by dirty_bass; 06-11-2007 at 09:22 PM.
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  15. #15
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    tried the URS stuf alright but i didnt take to them..

    but the Sonalksis stuff is a different story.. the sv315 is my goto for everything pretty much!

    ive thought about going hardware.. but i imagine they are more hassle than theyre worth.. if you want to slightly compress a single channel.. route -> bounce->reimport etc etc.. instead of plonk the VST on.. plus if u need to change the settings theyn you have to go tthrough the rigmorold!!


    then again if i had the $$ id like to have a nice patchbay with a few classics comps!!
    Last edited by stjohn; 07-11-2007 at 12:01 AM.

  16. #16
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    **** hardware anyway.
    They`ve nearly cracked the hardware compressor behaviour fully with this
    http://www.kvraudio.com/get.php?mode=show&id=2612
    give it a few versions (so they get the damn cpu load down), and the compression special version they are doing later down the line, and we`ll be laughing.

    Proper hardware heads are going crazy about this.

    Even Katz is excited!!!
    Solitary by nature.
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  17. #17
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    Talking

    digital will never crack the behaviour of Analog outboard!!! Maybe next generation when 'quantum computers' get invented but until then....
    Even my crappy Drawmer DL241 kicks waves' arse

  18. #18
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    Not true at all.
    Try telling that to bob katz, and roger nichols. Extremely highly respected mastering engineers in the world, and advocates (and indeed developers) of the digital revolution.


    In fact the Waves maximiser is so popular in all studios it has been made into a hardware version for the soft-o-phobes.

    But this isn`t the place for the rather tedious analog versus digital debate.

    The only advice I would give is to make sure you use good quality plug ins, and having a knowledge of the hardware sound, or owning some will give you a better insight into which plugins behave like their old skool counterparts.
    Solitary by nature.
    Isolation is the gift.
    Does anyone have courage to stand apart any more?

    myspace.com/dirtybassgrooves
    http://www.myspace.com/dirtybassvoidloss
    http://www.subgenius.com

  19. #19
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    Isnt it impossible to recreate the sound / feel of the analogue compression process, the foundation of what techno was built on?

    Surely any digital platform trying to recreate this is imitation, why not go for the real thing

    Regardless of any digital vs analogue argument, why have burgers when there is steak available?

  20. #20
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    Quote Originally Posted by benjames View Post
    Surely any digital platform trying to recreate this is imitation, why not go for the real thing

    Regardless of any digital vs analogue argument, why have burgers when there is steak available?
    In case you have got crappy DA and AD converter, I guess you are loosing the bits you think you add with using HW, so its good to stay ITB, imo.
    There is plenty of top stuff SW compressor these days as was said. I like URS the most together with Sonalksis and also KjaerhusUniPressor with sidechain ability....
    "Computer games don't affect kids, I mean if Pac Man affected us as kids, we'd all run around in a darkened room munching pills and listening to repetitive music."
    -Kristian Wilson, Nintendo Inc

 

 
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