Dirty Bass - The Teardrops never land - Techno Bootleg

[dirty_bass]

ok then..

two conflicting answers here.

1. i hate it. i love the original and this is wrongness.

2. i'd be the first person to bootleg and not care. its produced very well, is quite subtle in what you've done (has certainly not got the crassness of some bootlegs) and actually works very well on a dancefloor level (the break is a definite hands in the air moment)

theres a bit that comes in @ 4:39 thats sexy... could easily be a track in its own right.

anyway to sum up - it makes me feel uneasy to like it but i kinda do which, as we all know is only a personal opinion on the musical aspect.

production wise, i've listened twice and i cant find fault.

Well you`re right. I love this song incredibly much, which is why I bootlegged it, but only with a bit of guilt and a little contention.
Dub and techno have always gone together well, one runs half step to the other. And I just want to bring this beautiful tune to a techno crowd.
Luckily as part of my live pa only I don`t have to wear the guilt of releasing it and then running the gauntlet of derision.
So I`m with you there.
But that`s what I like about live PA, you can throw in totally unexpected stuff, risky stuff, and if it works it works, it`s special to the moment, but need not leave a legacy, as it stays just a part of my performance, plus the audience get to know they might be hearing something exclusive.
Most of my music is made now without the idea of it being released at the back of my mind, it`s all purely for performance, which is very liberating.

Just checked the production this morning found it a touch muddy, gonna bring out the techno rim shots and the little synth a bit more, then split it all up for ableton.

[rhythmtech]

Well you`re right. I love this song incredibly much, which is why I bootlegged it, but only with a bit of guilt and a little contention.
Dub and techno have always gone together well, one runs half step to the other. And I just want to bring this beautiful tune to a techno crowd.
Luckily as part of my live pa only I don`t have to wear the guilt of releasing it and then running the gauntlet of derision.
So I`m with you there.
But that`s what I like about live PA, you can throw in totally unexpected stuff, risky stuff, and if it works it works, it`s special to the moment, but need not leave a legacy, as it stays just a part of my performance, plus the audience get to know they might be hearing something exclusive.
Most of my music is made now without the idea of it being released at the back of my mind, it`s all purely for performance, which is very liberating.

Just checked the production this morning found it a touch muddy, gonna bring out the techno rim shots and the little synth a bit more, then split it all up for ableton.

well then its doing exactly what it says on the tin.. i can see crowds going for it.

its like any bootleg really.. theres always that naughtiness - should i like it or hate it - feel to them..