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  1. #21
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    "Computer games don't affect kids, I mean if Pac Man affected us as kids, we'd all run around in a darkened room munching pills and listening to repetitive music."
    -Kristian Wilson, Nintendo Inc

  2. #22
    the big pork pie
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    Looks pretty old skool mobile disco... :)

  3. #23
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    Quote Originally Posted by Si the Sigh View Post
    ...one of these bad boys!



    Anyone used one yet, or got one?
    I'd go for this too mate, looks the part an i've heard real good things about these. £280 is wicked for what you get with this mixer.

  4. #24
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    Quote Originally Posted by tonyc2002 View Post
    having recently bought one, i can reccomend this mixer. the sound quality is brilliant and the build quality is good along with the effects. its only two channel but for me thats not a massive problem. only thing i dont like about it is that as far as i can tell its not possible to replace the faders (up or cross) yourself.
    Yeah can do that with nearly all mixers, just take the face plate off and there's your faders.

  5. #25
    the big pork pie
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    Quote Originally Posted by A.P. View Post
    I'd go for this too mate, looks the part an i've heard real good things about these. £280 is wicked for what you get with this mixer.
    See I'm already swinging back round toward this Korg mixer. I've been reading revies of it all over the place and so far not one bad things been said about it. The demo I've seen of that EQ Isolator look top notch as well. 6 different selections on how you want the EQ's to be, along with that Kaoss Pad, and 4 channels at that price is really really tempting me...

  6. #26
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    well like already said Si, you get what you pay for, and if you want a professional standard mixer than you know is going to last then avoid this. It's a gimmicky home mixer, you wont find many clubs employing this thing in their set ups. And i maybe wrong but i think your at the stage in what your doing where you probably need a more professional product, the allen heath will last a lifetime practically

    6 eq isolators wont mean a thing when you get to play in a club and you cant have the eq setup you want, which to be fair, youve only got the usual mid, bass and treble, there isnt really that many eq setups you can have without it sounding odd. It's for dj mixing, not production

  7. #27
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    These guys seem to like it.

    I personally think the multiple' eq types are a nice idea and could be very creative.

    http://www.djbooth.net/index/dj-equi...2-mixer/#staff

    EQ manipulation is a staple of DJ performance. In response to this need, the KM-402 takes advantage of full digital processing to provide six different EQ types to suit any sound; from powerful high-pass filters, to unique "Hyped" and "Isolator" EQ curves. Every channel has a dedicated three-band EQ (Hi/Mid/Low) that responds in different ways according to the EQ curve that is currently selected from a simple six position selector.

    These EQ types have been created based on the opinions of numerous famous artists; they include EQ curves that cut only the low frequency region while boosting the midrange, as well as extremely drastic EQ types that use the knobs as isolators for each frequency band. This capability means that the EQ knobs are now a core element of your DJ performance, and take advantage of the integration with the KAOSS effects to create performances that use EQ in a new and unique way.
    Techno is a journey, not a race!

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  8. #28
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    well maybe, but note "this capability means the EQ knobs are now a core element of your dj performance"

    he wont have these features in a club environment, as i dare say there isnt a single club using this mixer, and if you want to get used to using equipment that the majority of clubs, like it or not, use, then this mixer isnt the way to go

    i learnt this the hard way when i started djing in clubs and only had a shitter numark mixer at home, the point being the numark had kill switches for each eq that i was used to using, the mixer in the clubs i was using (which i might add ive never played a club that hasnt used either the Djm600 or an allen heath) didnt, and i had to adapt, and quickly found that i stopped using the kills anyway at home because i couldnt emulate that in a club environment.

    Eventually i got a djm600, wished i'd gotten an allen heath, because in my opinion the difference between them is alarming considering the price they both retail at

  9. #29
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    Quote Originally Posted by Si the Sigh View Post
    See I'm already swinging back round toward this Korg mixer. I've been reading revies of it all over the place and so far not one bad things been said about it. The demo I've seen of that EQ Isolator look top notch as well. 6 different selections on how you want the EQ's to be, along with that Kaoss Pad, and 4 channels at that price is really really tempting me...
    Go for it mate, i defo would.
    What you else you gunna get for that price Si

    Also it depends on what you want the mixer for, the allen & heath is the best sound quality you will ever come across, but the faders are lazy when your chopping and theres only LFO filters to use in the mix.

    The korg one here has multi effects and the faders are spot on when chopping.

    Anyway it's your dosh mate, **** listening to us... haha!
    Last edited by A.P.; 13-12-2007 at 03:49 PM.

  10. #30
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    I'd take a pioneer 800 over an A&H

    600 was a workhouse, best laid out mixer on the market, great faders, decent FX you could actually use but the sound quality was lacking.
    The 800 was a big step up and to many sounds better than A&H

    Think A&H are over rated tbh...

  11. #31
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    Actually si - screw all this. If its for you to have fun with, buy the mixer with the most effects and revel in the options.

    Mixers with amazing sound quality are lost on home hifi set ups, and if you're not djing regularly and don't need to be familiar with a high end mixer your paying for build and quality you don't need.

  12. #32
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    I would recomend the Ecler Nuo range, or if you have a spare grand, check out the new Evo 5.

  13. #33
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    Quote Originally Posted by A.P. View Post
    Go for it mate, i defo would.
    What you else you gunna get for that price Si

    Also it depends on what you want the mixer for, the allen & heath is the best sound quality you will ever come across, but the faders are lazy when your chopping and theres only LFO filters to use in the mix.

    The korg one here has multi effects and the faders are spot on when chopping.

    Anyway it's your dosh mate, **** listening to us... haha!
    no offence mate but anyone who takes shorter faders over optimum sound quality needs their head testing

    and the filters on the AnH are top, top quality, miles better than the cruddy effects on the DJM's, so i'd put my last tenner on the fact the filters alone would piss over this mixers effects. Effects are overated anyway when it comes to dj'ing, much, much better to actually learn how to manipulate your records effectively and have the build and sound quality to show it off on.

    your best bet Si would be to actually go into a shop and demo them both

    if you dont notice the world of difference between an AnH and a low end mixer like this then il eat my studio

    that's the 2nd time this week i've offered to do this, and luckily i wasnt required to be eating Roland sandwiches for tea, and i dont think i would be this time either :)

  14. #34
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    That new ecler does look very sexy, ****ing pricy tho - http://www.evobyecler.com/

  15. #35
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    no offence mate but anyone who takes shorter faders over optimum sound quality needs their head testing
    or *shock* uses short faders creatively. Long faders are the devils armpit for gating, gain riding or scratching.

    ;)

  16. #36
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    That ecler certainly does look interesting.

 

 
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