Prodigy was music made to batter dancefloors, so no suprises when it took that quality to the commercial releases. Same with loads of others to be honest, leftfield, orbital, chemical brothers etc. Still think its a fair point that to make a good dance track you need to have some knowledge about how the rig it will be played on will work. You can then max out your track to take full advantage of rig design.

I think the minus sound is just incredibly polished and lush, and nearly all their records translate beautifully on rigs and hifis so for me they work really well as reference tracks.