and a great album too. that was cari lekebusch no?
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and a great album too. that was cari lekebusch no?
Originally Posted by Stuart
BRING IT ON![]()
i think sonic manipulation will replace melody & harmony in certain areas & i for one cant wait.
go check out NIN 'fixed' and tell me it doesnt make u shiver![]()
featured on VOICES Vol 1 - TEMPL8R.1 - V/A - AVAILABLE SEPT
and a great album too. that was cari lekebusch no?
sure was!
The law is not the private property of lawyers, nor is justice the exclusive province of judges and juries. In the final analysis, true justice is not a matter of courts and law books, but of a commitment in each of us to liberty and mutual respect. - Jimmy Carter
I love the meanest techno possible but it has to do stuff. a four bar MMEEAN loop for 5 mins just doesn't do it for me,. can you have mean and melodic in the same sentence. :?:
You either want to bang your head like an 18 year old or
you want to bang your head to good music.
It's like the difference between Schranz and Proper Techno.
Wetworks
Compound, Punish Blue, Mastertraxx
i'm really liking funk d void at the moment, maybe he's onto something........
21 minutes to know
yeah thats a great album that every home should have one ;)Originally Posted by jake
exactly s.o.s. i love being pounded in2 the floor dont get me wrong,but not just mindless boom boom boom 4 5 mins,it has 2 have summit about it also.proper techno as u said.
Are you on extended vacations or something. Anything up coming?Originally Posted by herman
Techno is changing constantly.
So what. It's a choice.
And it's positive...
The main goal for techno is constant evolvement..
OUT NOW:
- Orlando Voorn & Juan Atkins "Game One (Ritzi Lee remix)" on Nightvision.
- Cybernetics EP on Labrynth (Beatport release)
OUT SOON:
- Black Noiz on Labrynth (vinyl release)
:clap:Originally Posted by Ritzi Lee
Wetworks
Compound, Punish Blue, Mastertraxx
well, its part of the word 'technology' so i always assumed that techno wasd about constantly movin forward both in sound & the menas by which that sound is made
http://www.perpetualelectronic.co.uk/
http://www.club-nut.co.uk/audio/Pete...ober%2003).mp3
featured on VOICES Vol 1 - TEMPL8R.1 - V/A - AVAILABLE SEPT
been working on a new album for the past few weeks but there is some stuff forth coming on ingoma,stimulus,primevil,primate and vince watson's new label.Originally Posted by killarava2day
I was going through a load of new stuff that I've just got. All the production and everything as always is really high quality apart from the flimsy plastic from europe (which are obviously pressed cheaply) which means end production quality is poor, so sound definition is lost making noisy tracks quite unbearable to those people just discovering the techno scene.Originally Posted by basslinejunkie
As you say stuff is just hard for the sake of being hard, people need to take the quantity to quality ratio in to consideration and produce fewer tracks rather than churning them out.
One question though. Have you noticed there are alot of tracks coming out that has far to much hiss in it?
Would I be wrong in Assuming this is Paul Mac? If soOriginally Posted by herman
Cards On the Table
f*ckin Kicked Ass!
Wetworks
Compound, Punish Blue, Mastertraxx
thanks appreciatedOriginally Posted by SummerOfSam
you're right. it rocked.
i've heard synths on hundreds of techno records from adam beyer to marco bailey to jeff mills to just about anyone else.Originally Posted by MARK EG
no i think you mean the "type" of melody you use no necessarily whether it come from a synth or not "synth" is bit general a term to use i think.
i mean sythns make all kinds of weird noises these days don't they?
don't mean to split hairs here but i'm determined to get some synths back into techno
just been listening to lot's of fcomm and youngsters stuff
very techno influenced and really deep too
i'm getting into it as the modern percussive sound is leaving me colder and colder these days.
anyway lets just set the record straight here:
melody is not only defined by some horrble cheesy nonsense you hear in commercial music
melody is an integral part of music right down to the atonal harmonics we like in techno today. so there's no reason why it can't be possible to still use synth melodies in techno.imo
just need to look at a slightly bigger picture i guess.
love your mum
Hello everyone. Petar Dundov uses synths with melodies. His tracks kick ass. Check out Stewart Walker's live extracts album. I don't consider that minimal techno...it has really good synth and percussive work. Mr. Paul Mac also shows excellent use of synths as does Marco Carola. There are some other quite poppy acts such as Technasia that do it quite well (from a production stand-point). There's plenty of excellent use of synths out there.
The problem with synths and darker/heavier techno is that the artists often want to shoot for atmosphere rather than a poppy hook, so they use pads and sounds with reverb instead of a hook. Bummer. Bye.
Abiotic | www.abiotic.net | www.enemyrecords.com
What about Johannes Heil? His "20,000 leagues under the skin" album is filled with groovy melodic synth-lines and his other productions are also very synth-based... But, IMO, there are more straight-up percussive records being pressed than synthy techno with hooks and melodies, simply because the percussive records are more usable - when you mix two synthy tracks there is a bigger possibility of the tunes clashing instead of merging into one... The problem, however, is that if I hear a mix consisting of just percussive, loopy techno, I will probably get bored before the first breakdown. But at least here in Slovenia, there is a tendency for DJs to play only that so most techno here is really all the same, which is a shame as it drives the audience away from parties where only the local DJs are playing, cos everyone knows what to expect... Maybe it's just me, but I always thought that with a good DJ, you should never know what to expect next, right?
John Wayne was a nazi