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  1. #1
    Parsnip
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    Quote Originally Posted by RDR View Post
    the PRS doesnt require tracklists from clubs, it pointless, they just pay a blanket fee which they then apportion out on a average basis according to whatever formula they are currently using.
    AFAIK, the payout is based on a weighting assigned by PRS based on the number of public plays. This includes in clubs. Clubs should submit tracklists. It may seem pointless in individual instances, but if everyone did it it would quickly become more meaningful.

    Quote Originally Posted by RDR View Post
    also did you have a track played on radio?
    Yes. Years back I did a remix for someone and they played it in a mix on Annie Nightingale's show on Radio 1.

    It's a weird thing, hearing your stuff coming out of a radio.

  2. #2
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    Quote Originally Posted by TechMouse View Post
    AFAIK, the payout is based on a weighting assigned by PRS based on the number of public plays. This includes in clubs. Clubs should submit tracklists. It may seem pointless in individual instances, but if everyone did it it would quickly become more meaningful.


    Yes. Years back I did a remix for someone and they played it in a mix on Annie Nightingale's show on Radio 1.

    It's a weird thing, hearing your stuff coming out of a radio.
    +1 on the track listing. Radio does it because most of the playlists are computerised with the bigger stations and also because it benefits their listeners to know which tracks they are listening to.

    The chances of it happening are pretty low unless there is a sea change in the way clubs manage themselves. The very nature of club management is a bit more than haphazard at best. I could see it being rejected instantly unless there was a system that really takes the effort invloved in the process away from club manager/promoter/dj

    Can you imagine them all trying to piece track lists together after the night finishes??? :lol: :lol: :lol:

    The tune recognition systems that are currently in play might possibly work but it needs the following to be in place:

    :: Each tune played to be registered on the database that the system calls on.
    :: People to register those tunes
    :: Enough money to make it worthwhile

    In theory copyright protects people but it is also there to provide a signpost as to who should be paid for the exploitation of that copyright, through collection societies and the publishers of the respective artists.

    So who might pay for such as system? The majors? The indies? the collection societies? How does the money get apportioned?

    I can seriously see this being of benefit to little artists and those who play live. I can also see it being an excuse for club owners to pay their DJs less as the PRS/MCPS would certainly use this as an excuse to bump up the prices they charge clubs for licenses.

    just my 2p

    OH AND...

    Well done for having a track played on radio! Can i hear it?
    Last edited by RDR; 28-05-2008 at 10:20 AM. Reason: biggin up the t-mouse

  3. #3
    Parsnip
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    Quote Originally Posted by RDR View Post
    OH AND...

    Well done for having a track played on radio! Can i hear it?
    http://mp3.juno.co.uk/MP3/SF1301153-02-01-02.mp3

  4. #4
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    Nice one mark, i like it!

 

 

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