I agree
I don't come on the acid forum too often these days mainly because the style is not as fresh as it was and I'm just not so crazy about 303's as i was a few years ago.
sorry about that.
but i still come and check stuff out and see what everyones up to
and there have been some great tracks kicking about here recently too.
i think saying these negative things about the scene just alienates people who are getting into it for the first time
and upsets some of the other guys who are trying hard to make good new stuff
it really disses all their hard work to say that it's all gone hard dance etc etc ...
i mean what the **** is that all about?
and I do take it a bit personally too , I can't help it.
but yeah
being negative will just not work.
you have to accept that it is not 1997 any more and look forward
and accept that while it may have been fun getting trashed and playing records for 3 days in a warehouse in hackney
you can't live that lifestyle forever (unless you want to die at 45 from a heart attack)
and once you break out of that mode , you see other forms of music and other ideas that are just as valid and exciting.
As for the political thing , I think that's become a bit overblown
it is true in a sense that acid techno had a political ethos, but the records were made for the sake of the music first and foremost.
the parties picked up around that i think , plus the end of the free traveller movement and the poll tax riots etc etc .....it was certainly inspiring
and it came out in the music for sure and pulled people together.
but it's not fair to say "what happened to these guys ?" or anything like that
because for me politics is still there , and i'm still into underground music.
and anyway ,what the hell has my life or political view got to do with you?
I think a vast majority of all techno is still "**** you" music
mainly because the musical ideas it deals with are abstract and go against the grain of commercial music.
and it needs a bit of a leap of faith to understand.
In a way shouting "**** you" over a track can be seen as being a bit naive too
and as i got older that started to ring a few alarm bells for me.
like "what kind of message are we actually trying to achieve here?"
so thats my say
I had to write something you understand
and I'm sure there'll be disagreements, no problem.
but let's try to pull together on this one
and maybe open that door to the future of the sound together
not wedge it so firmly shut that we lose it all forever.
that is the true crime.