Well this is a bit of a stomper and no mistake... :;

This has good potential with the right structure and elements to terrorize even the toughest of dancefloors... so mission accomplished on that score

Tell you where the problem lies production wise, it starts with the scratchin' sound - this sits in a particular frequency range and takes up quite alot of room due to the distortion... now it sounds great but it leaves no room for the other elements you are bringing in - - at one point you hear that the scratch/nagging sound that comes in at 1.44 sit right on top of each other, which also has distortion, so the nagging sound then has to be too loud in the mix to be prominent - this makes it all messy and as you can hear, the siren sound which is clear to start is now being drowned out - - also all your hats n top end are sitting around the 1000hz mark and thus disappear too .. ummm i fink...

To sort this perhaps use the scratch more sparingly and not when you use the nagging sound - you will hear the whole mix become clearer if they are separate and will be able to balance your levels better... put some more sub eq on your bass and kick elements too and the mix will feel more balanced and rich...

Oh and put a low level filter on your bass with cut at 40hz and then one on your master at about 36hz... hope that helps!