Quote Originally Posted by DannyBlack View Post
At the moment I'm making stripped down broken beat kind of techno- Audio Assaults kind of stuff... The bass is giving me trouble... patterns and what not.
Audio Assault?
If you wanna look at broken beat go and listen to the people who actually knew what they were doing.
The Audio Assault stuff was always a bit, well, production line.
Try
Regis, Makaton, 65D Mavericks, Mulero, Innigo, Supagrupa, Lotki blah blah, Hiyama, Paul Damage, Early Reeko.

Most AA stuff just had your typical sub rumble that I covered already.

The more clever stuff by people above used stuff like bass chords, detuned synths with a very percussive envelope, syncopated to the kick, or polyrythmic lines.

The real "secret" or maybe the "method" to good borken beat is to approach the syncopation completely differently to standard 4s on the floor.
The offbeat is no longer note 3, 7, 11, 15 in a 16 note pattern.
So react accordingly, generally I feel good percussive stuff works on a call and response.
So the kick is the call, and each kick needs a response to balance the phrase.

Obviously sidechaining will help make stuff work, but with offbeat stuff you need to be much more clever with note placement.

I find it infinitely more inspiring than doof-tish music personally, and I wish borken beat was more widely accepted.