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  1. #1
    BOA Lifetime Member
    Join Date
    Oct 2004
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    LS6 + fuct
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    3,008

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    Thank you all. First thing I've really done for a while due to dissertations and studio moving and so on, so thought I would do something a bit silly and romping, and found that sample knocking about on some old CDs of loops and noises. Bit of nostalgia for the fast and dirty punky acid of my youth.

    We'll go back in a few days and try and clean it up a bit.
    Pure F*ckin' Noize Terror...

  2. #2
    Supreme Freak
    Join Date
    May 2006
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    The Depths - London
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    605

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    Maaaan... screamin' acid BIG time - wish this had been around when I went to squat parties all the time - certainly one pf those peak time moments... :;

    Thing with this is you have the challenge of separating the bass from the bass frequencies from ya 303 and yet maintaining the richness of the 303 bottom end - meaning that, I was going to say that you need more oomph on the bottom both kick and bass and extra sub frequencies to boot, kick definitely needs more punch as a DJ would find it hard to mix as it stands.. but then problems arise with your 303

    This is where the percieved muddiness is coming from as the two 'blend' at various points as your 303 oscillates into the lower frequncies when your cut off is low.... you probably know this so sorry for going over this if tis so :ohdear:

    Soooo... the solution in order to maximise both is to trim the bottom end of your acid line just to the point where it would weaken it (perhaps around 120-140hz) if you trimmed higher and then ensure your bass is filtered to not go above this frequency using low pass .. hmmm .. thing is you don't wanna go chopping frequncies out of the mix on your master here as it will effect both bass and acid line leaving each of them weaker ...try that n see

    Blinder of a track mind...
    Last edited by Little_Fella!; 17-06-2009 at 08:54 PM.
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