this should inspire some strong opinions
http://en.wikipedia.org/wiki/Techno
reading that, what comes to mind?
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this should inspire some strong opinions
http://en.wikipedia.org/wiki/Techno
reading that, what comes to mind?
The law is not the private property of lawyers, nor is justice the exclusive province of judges and juries. In the final analysis, true justice is not a matter of courts and law books, but of a commitment in each of us to liberty and mutual respect. - Jimmy Carter
i'm a classics fiend, but i also found the inattention to non-detroit techno a bit baffling.
i think that you can't tell the story of techno without telling the story of detroit. conversely, if you want to tell the story of techno, as opposed to the story of detroit techno, you need to spend a little more time on the 19 or so years since people started making it in earnest elsewhere, particularly given that detroit's golden age really ended sometime around 1996 (perhaps with "the bells" lol).
The law is not the private property of lawyers, nor is justice the exclusive province of judges and juries. In the final analysis, true justice is not a matter of courts and law books, but of a commitment in each of us to liberty and mutual respect. - Jimmy Carter
There are so many sides to the Techno story. I'm coming around to the detroit stuff, but only to a certain extent. Electronic, repetative music was around before the pioneers did their thing, so I think Detroit Techno being where it all started is a bit... well... liberal.
I think that Detroit is a most certainly one of major fibres in the thread of techno, but certainly not where it started.
At the same time, that is just my opinion- I'm relatively new to Techno so I could be waaaaay off.
Bás Ar An Impireacht
you can argue that detroit techno had essential antecedents (e.g. kraftwerk, moroder, etc.), but the thing that came to be called techno began in detroit. but i thought the wiki page did the antecedents stuff well. i just had a problem with how it dealt with techno post-detroit.
but of course it's all process. nothing is entirely original; it all comes from somewhere.
(btw danny, do you listen to much rob hood?)
The law is not the private property of lawyers, nor is justice the exclusive province of judges and juries. In the final analysis, true justice is not a matter of courts and law books, but of a commitment in each of us to liberty and mutual respect. - Jimmy Carter
I suppose you have a point. Unfortunately due to my lack of knowledge on the subject I can't really comment any further without it all being opinion based.
I have a wee bit on vinyl, but to be honest with you I haven't. I'm not entirely too sure why either.
I think the deepest I have ever delved into the Detroit sound would be Jeff Mills, Green Velvet (Preacher man etc), Knights of the Jaguar~ stuff of that nature.
Bás Ar An Impireacht
well, i asked for opinions so let them fly :)
there are some real gems from detroit. also a bunch of stinkers and overrated "classics." but there's a sense of freedom in a lot of early techno--not just from detroit--that i miss. however, a lot sounds too dated for most people nowadays. but some guys, like rob hood, were making music that still sounds really fresh today.
i bring him up because a lot of his records have been rereleased recently, and it blows most of today's minimal out of the water.
The law is not the private property of lawyers, nor is justice the exclusive province of judges and juries. In the final analysis, true justice is not a matter of courts and law books, but of a commitment in each of us to liberty and mutual respect. - Jimmy Carter
I think what put me off was the local record shop. I remember getting my wages on a Friday and rushing into town with butterflies in my tummy and a turtle head emerging- literally close to crapping with excitement only to be met with UR releases.
I just couldn't get my head around why they were so popular. It was alien to me.
Now there is stuff in my collection that is counted as Detroit I think- Shari Vari- a bloody wonderful track. Then I have preacher man and smatterings of Jeff mills and Mr. Hood. But on the whole I never quite got it.
I agree on the modern minimal point- Modern Minimal I find and I guess why I am so apposed, is incredibly formulaic and churned out. Even 'Plastik man' stuff annoys me.
I know that isn't modern minimal but bloody hell it is so boring. Of course this is my opinion- so please don't hit me haha
Bás Ar An Impireacht
Now I`m not exactly standing in for mnml here, I like it, but then I like lots of music, and generally I applaud any experimentation and development.
IT`s odd you say mnml is formulaic and churned out, I guess the mainstream stuff is, yes, but you can say that about the mainstream of any genre.
In fact I have found, and still do find more experimentation and innovation in terms of sounds and techniques within mnml than in hard techno.
This is unfortunate, and part of the demise of harder techno I think, as it looped itself into obivion.
I would actually say hard techno is probably the most formulaic at the mo.
It shouldn`t be, but it is.
Same sounds, same patterns, little experimentation, lack of attention to detail.
I wish it would change.
I am not here but my ghost still lingers
I never get these kind of statements.
Modern Minimal or the Berlin sound bares no comparison to Hoods minimal detroit stuf.
They are 2 different types of music, the only similarity being a philosophy of minimalism.
Berlin mnml owes little to hood and really takes more reference from house and strips it back, with loads of modern technological techniques.
Hoods music was just detroit stuff with less instrumentation.
I`m not saying one is better than the other, but comparing them is silly.
I am not here but my ghost still lingers
:lol: yes how true. one is minimalistic techno; the other is minimalistic techno, after all. how silly of me to express a preference for one over the other!
besides, it wasn't even the important part of the sentence, dude. i could give two sh*ts about minimal, MNML or whatever its called nowadays. it tends to bore me silly, aside from the stuff that doesn't. but that's no different from any other form of techno. i was just trying to get danny into rob hood, whose classic records never bore me, silly or otherwise.
Last edited by SlavikSvensk; 18-08-2009 at 10:26 PM.
The law is not the private property of lawyers, nor is justice the exclusive province of judges and juries. In the final analysis, true justice is not a matter of courts and law books, but of a commitment in each of us to liberty and mutual respect. - Jimmy Carter
You'd give her one though wouldn't you?
Bás Ar An Impireacht
hmmm
not sure.... it's the hardcore area that worries me
love your mum
It's clearly all wrong
theres no mention of Scooter or 2 Unlimited anywhere
the very backbone of modern techno : )
ahhhh wgere would we be with out techno,techno, techno, techno.
On a serious note - i am new to techno too (laught at my innocence - but i always thought techno was invented in germany) and found it interesting to read about the begining of techno. so what i want to know is apart from detroit where are the other major players in the begining of techno?
I see these threads and it's like stating hip hop did not start in the Bronx.
Wetworks
Compound, Punish Blue, Mastertraxx