**** MINIMAL

[Jay Pace]

there is too many tacks out there that have no soul if you know what I mean?

I agree with this, but there's something tedious about hearing the same story endlessly. And there something refreshing about not really having a story, there's no expectations, predictable builds, drops, woosh woosh cliche's etc.

But go too far down that road and you get a load of dull 6 minute loopy "dj tools" where there's not even a nod to structure.

Some sort of balance needed I guess.

[SlavikSvensk]

I agree with this, but there's something tedious about hearing the same story endlessly. And there something refreshing about not really having a story, there's no expectations, predictable builds, drops, woosh woosh cliche's etc.

But go too far down that road and you get a load of dull 6 minute loopy "dj tools" where there's not even a nod to structure.

Some sort of balance needed I guess.

except that "storyless" techno dj tools are a dime a dozen, and have been for 20+ years.

i count predictable buildups and other cliches part and parcel of what it means to be a "track" and not a "song." honestly, i don't think it's at all about how many changes occur or how much stuff is in there. a lot of the most captivating, timeless techno i know is minimalistic and highly repetative. take maurizio, for example. still sounds great.

to me, it's a question of whether the music has something to say beyond BOOM-BOOM-BOOM-SQUELCH, whether it says something that wasn't said 5, 10 or 20 years ago, and whether or not it might be worth listening to 5, 10 or 20 years down the lane.

[CTRLS]

except that "storyless" techno dj tools are a dime a dozen, and have been for 20+ years.

i count predictable buildups and other cliches part and parcel of what it means to be a "track" and not a "song." honestly, i don't think it's at all about how many changes occur or how much stuff is in there. a lot of the most captivating, timeless techno i know is minimalistic and highly repetative. take maurizio, for example. still sounds great.

to me, it's a question of whether the music has something to say beyond BOOM-BOOM-BOOM-SQUELCH, whether it says something that wasn't said 5, 10 or 20 years ago, and whether or not it might be worth listening to 5, 10 or 20 years down the lane.

nice post. i rate mills over a lot people because of his concept albums. total sucker for that whole early detroit sci fi thing and following the development up to stuff like one man spaceship. the last planetary album had some very interesting developments too (love that breakdown in temporary suspension). there are few producer that can make music interesting for both the home listener and the dj.

the main thing that made me loose faith in the whole minimal movement was that i saw so many djs adopt a lazy jukebox set format. the tracks did all the work (and badly). loong breakdowns with predictable buildups, then on to the next mix after the drop, repeat. luckily there are people like hawtin that get a lot more serious but its always sad to see music styles adopt a formulated approach.