but it's a bit apples and oranges innit? robert hood was part of a "minimal techno" sound that stripped the embellishments and extra matter off of the dominant hard and detroit sounds of the time. this has certainly played a role in the birth and development of today's minimal, largely through people like richie hawtin, who have bridged the two things. but i think that today's minimal is not so much a continuation of the path those fellas walked down, but a different path that takes in some of what they did alongside a pretty diverse set of influences.
i'm a bit skeptical of how important something like musique concrete has been to minimal, as i don't hear much of pierre schaeffer and other tape-music pioneers there. but i do think LM hit the nail on the head with sähkö, panasonic (got to be OG about it). i always felt the sähkö influence on glitch labels like spectral, which is an intermediary i guess. i'd also add some of the minimal currents in house music over the years to that pot.