Awesome guys, thank you & a good start for me, I didnt think

Quote Originally Posted by rhythmtech View Post
for really big kicks youneed to be layering samples on top of each other. sometimes i layer 3 or 4. all picked out for their own specific purposes, ie: i like the mid in one, the sub in another.

to make a kick cut thru the low end on a mix you need to be eqing properly. leaving room in the bass for the kick to sit etc. you also need to compress properly and not just for the sake of compressing.

another little trick is to add a touch of overdrive to the higher frequencies but leave the lower and sub frequencies untouched. the sparkle on top helps the attack push thru but the clean subs keep the weight intact.
Thanks heaps rhythmtech, I will try layering a couple of different types of kicks to try get the sound I want. I honestly thought the more similar sounds you layer, such as kicks, the more distorted the sound will appear, I guess its all about the way you layer & mould it as one, I will give it a try & let you know how I go, respect.

Quote Originally Posted by Jay Pace View Post
Half of the job is building the sort of kick sound.
The other half of this is shaping your mix right, so the kick fits properly.

If there are overlaps in frequency ranges your kick will end up muted and muddy, you need to carefully sculpt your mix so that it kicks and thumps in the way you want it to. You could have a perfect kick, but a lousy mix will swallow it whole. Or you could have a perfectly balanced mix with a kick that doesn't fit in it.

Its not easy unfortunately.

As for your mixes not sounding loud - there are a zillion tricks to bring up mix volume, mastering is one of them but really you have to learn how to build load mixes, and balance your mix across the frequency range and stereo space. This is also not easy.

The perceived loudness of your track and the way the kick fits are two of the more dominating themes of techno these days. No easy answers really, just got to experiment and learn as you go.
Thanks Jay! With getting my mix sounding louder through the EQing & compressor part of this process, can you please tell me how much is involved regarding the redlining on the master level in Ableton?? Do you have to stay away from the red, keeping it only at green?? Even though the mix doesnt sound loud? I can only assume once I redline, I am hitting a level of distortion, is that this correct?

Quote Originally Posted by DannyBlack View Post
To get a fat bOOOOOoomph kind of a sound I layer two kicks- High end and low end and then EQ them through the same channel til I get the right sound.
Thanks Danny, I will give this a try today & let you know how I go.

EVERYONE:

I dont necessarily want a really fat kick, chunky or punchy, just want it to have a nice clean stab but what concerns me is the kicks that appeal have a low end finish, such as sub bass styled finish to the kick hit, if you know what I mean, how can compress that kick, just to punch & have no low end frequencies at all, which I would prefer, so that I can build my mix & add sub bass or melodies etc does this make sense or?

Sorry for all of these questions guys, much respect & hope you can help, 2010 is really only dedicated for me to start a road to production, it really is all I want to do, thanks again, you guys rock beyond words, ciao!