I am new to this forum and so far I am begining to feel at home here. After reading this thread I fealt I had to add.
I have been away from the 'music business' and recently decided I had to do it again. Simply to just be creative.
My job is boring, no suprise there we probably all hate our jobs however I make computer games for a living. I won't argue it should be the most fun in the world you can get paid to do. I thought it would be great but like everything else these days created on a computer there is no market any longer for computer games with any kind of plot or substance because people download so much. This means publishers just want a version of the biggest selling game that year. So I find that I had to get back to the music to vent my creative passion.
Mark actually talked me into it and I am glad he did.
Basically I started writing 'techno' in the early 90's and it was new and exciting the scene was alive. As the years went on it changed and morphed through many phases. The one thing that has always remained constant is the style I choose to do. No one could ever really put it into a genre and I used to hate that.
However. That is, irronically, why Iam now writing techno again. Because you can do what you want.
I have friends in the rock and pop worlds and they have to conform so much that it is upsetting. I don't. I can go home after a shitty day at work and hammer out some group of sounds and rhythms that capture that mood forever.
I released a song on Cluster once that I am really glad the Liberator boys released quite simply because it was pure punk. My boss had pissed me off at work I came home and wrote it in an hour. It was pure emotion. The song was ready from the night before and I came home and whacked all the levels on the desk up to overload and recorded it.
Anyway back on topic.
I dont think anything has changed since 7 years ago when I stopped writing to now when I have returned.
Yes we have more tools and yes we can get our work heard by someone in Austrailia minutes after we upload it. But in the early 90's it was just as hard for me. Take away the internet and software and roll back time and you have the same disadvantages you have today.
I had to post demos. I couldn't afford the equipment that LFO had. So it was harder to get together a good demo on a tight budget. But I never gave up.
Now it's the other way round. The sounds are easy to get and the equipment is far cheaper. So when balanced out all you have left is raw talent.
Make something good and people will listen, make something different and they won't forget.
In the past music was about capturing an emotion that could relate to others the great thing about techno is you can do that, anyone can.
To get back on point. I will happily let people have my music for free if they REALLY want it. If it makes them feel something then it has served it's purpose. If you crave fame then maybe that will only come through hard work as it always has done. I have always made sure I dont have to live on my music so that I can be free to do what I want to do.
People I know in bands are always saying to me 'must be great to just hammer out what you want when you want' and I say 'yeah but it can be lonely sometimes' :D. Everything has pros ad cons.Those people in that band got a 500 000 quid advance, which they are still paying back some 15 years on because the label dropped them.
I am sorry about the length of my first post here but the subject is an important one and I am extremely interested in peoples views having been away for a while. As Mark said 'my 2 pence worth'.
http://www.myspace.com/scottrobinsontechno