Quote Originally Posted by qUE View Post
Yeah, the emotiveness, that's music theory. I find if the sequence and tweaking are done live, the emotion is pretty much put in there as standard. I've personally always been into technical intricacies and instability, hopefully aiming to let the machines add their own character, I'm a fair way there, still quite a bit of R&D to do though.
You think much like me I can hear. I'm old school when it comes to production, I like to record and tweak everything live (though it takes layer recordings at times obviously) and like to program with step sequencing & pattern based writing just like how everything started. I'm not into drawing lines in Cubase to make music, I find its killing my inspiration and ideas pretty quick for example.

As my mate MITA says, TMMR is a good label and combines a bit of everything, theres some real solid releases on there.

The Overfiend; always great wisdom coming from you.