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  1. #41
    Junior Freak
    Join Date
    Jul 2005
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    Portugal
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    Quote Originally Posted by TiagoTechnoHead View Post
    Just loved this..
    Thanks all you guys.

    :)
    adorei as tuas musicas , exelente trabalho amigo ;)

  2. #42
    Junior Freak
    Join Date
    Sep 2009
    Location
    Sweden
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    104

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    Quote Originally Posted by ICN View Post
    I'm using a long 808 kick inbetween main Kicks, with the attack adjusted.

    The mono reverb trick with a Vintage Warmer before the reverb on the send.

    Usual tom hits destroyed with fx & EQ'd into behaving.

    Logic EXS24 Default sine patch & the Logic EFM1 - Mental deep.


    What all these things have in common is simplicity. The simpler the better.
    Yea the 808 Kick is great as well.

    Another thing I like to do is to build a nice groove with a kick, some percussion and perhaps and simple synth, tidy it up a bit and make it sound round, without too much compression, then route all the channels I worked with to a bus and low pass it, then I get a nice package of bottom I can pitch and play with together with a kick on top of it (side chain the bus comes handy here as well). Also effective to just render the low passed package as a loop and edit it later with pitch tone and other nice effects.

    This is what I used normally for all my "harder" classic tunes.

  3. #43
    BOA Newbie
    Join Date
    Aug 2010
    Posts
    11

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    That makes sense - Cheers M

  4. #44
    Junior Freak
    Join Date
    Apr 2004
    Location
    Florianópolis , Brazil
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    120

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    Quote Originally Posted by Mattias_Fridell View Post
    Yea the 808 Kick is great as well.

    Another thing I like to do is to build a nice groove with a kick, some percussion and perhaps and simple synth, tidy it up a bit and make it sound round, without too much compression, then route all the channels I worked with to a bus and low pass it, then I get a nice package of bottom I can pitch and play with together with a kick on top of it (side chain the bus comes handy here as well). Also effective to just render the low passed package as a loop and edit it later with pitch tone and other nice effects.

    This is what I used normally for all my "harder" classic tunes.
    Fantastic! Thanks for sharing this :)

  5. #45
    Junior Freak
    Join Date
    Apr 2004
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    Florianópolis , Brazil
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    Quote Originally Posted by Elvio Neto View Post
    adorei as tuas musicas , exelente trabalho amigo ;)
    Ople ..
    Obrigado!

    :)

  6. #46
    Ultimate Freak
    Join Date
    Dec 2007
    Posts
    1,230

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    Quote Originally Posted by Mattias_Fridell View Post
    Yea the 808 Kick is great as well.

    Another thing I like to do is to build a nice groove with a kick, some percussion and perhaps and simple synth, tidy it up a bit and make it sound round, without too much compression, then route all the channels I worked with to a bus and low pass it, then I get a nice package of bottom I can pitch and play with together with a kick on top of it (side chain the bus comes handy here as well). Also effective to just render the low passed package as a loop and edit it later with pitch tone and other nice effects.

    This is what I used normally for all my "harder" classic tunes.
    nice mattias, gna try this aswell :)

  7. #47
    Junior Freak
    Join Date
    Apr 2004
    Location
    Florianópolis , Brazil
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    120

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    Quote Originally Posted by Mattias_Fridell View Post
    Naw I'm not worried about "stealing my crown" haha, I just find its a well kept secret among Techno producers, maybe they all go after me and smash 1210s to my head haha.

    Well anyways.....here goes then:

    In example 01 its by far the most effective way to make moving subs, and it's really easy.

    1. Take any kick, do what you feel with it ,compression / EQing etc.
    2. Add a reverb (with early, late, pre-delay operation) to a send channel.
    3. Send the reverb to your kick. Don't send too much of it.
    4. Side-chain the send channel you put the reverb on with your kick.
    5. Make the reverb channel MONO, and add a low-pass filter.
    6. Set the low-pass to filter everything from 200Hz & up (try different Hz)

    Now you'll hear how the "bass" will react to your kick for real and it will follow the kicks tone, accent and intonation. So from here its really just to experiment with reveb times, decay, pre-delays / early-late, diffusion to make it sit tight and move nicely. Increase & decrease the send value to the kick till you find a nice balance, you can insert effects on the reverb send channel, compress the reverbs and gate it, add pitch effects to it and what not. You dont really need side chain for this but its nice, but either works.

    You can hear this kind of "bass / sub" far far back in the history of techno really, its pretty amazing it been so hidden among the circle of fellow producers etc. Or maybe ya'll knew this already haha.

    Edit: What I would recommend for this when it comes to software is 112dB redline reverb, d16 Toraverb, 2C Aether, the logic reverbs, Waves Maxxbass Mono (for experimenting with bass harmony), SIR, Ambience, Lexcion verbs
    Fantastic mate, thanks again!

    :)

  8. #48
    Junior Freak
    Join Date
    Apr 2004
    Location
    Florianópolis , Brazil
    Posts
    120

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    Quote Originally Posted by ritaheed View Post
    quality soundcloud mate :)
    Thanks mate!

    :)

 

 
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