
Originally Posted by
Mattias_Fridell
Naw I'm not worried about "stealing my crown" haha, I just find its a well kept secret among Techno producers, maybe they all go after me and smash 1210s to my head haha.
Well anyways.....here goes then:
In example 01 its by far the most effective way to make moving subs, and it's really easy.
1. Take any kick, do what you feel with it ,compression / EQing etc.
2. Add a reverb (with early, late, pre-delay operation) to a send channel.
3. Send the reverb to your kick. Don't send too much of it.
4. Side-chain the send channel you put the reverb on with your kick.
5. Make the reverb channel MONO, and add a low-pass filter.
6. Set the low-pass to filter everything from 200Hz & up (try different Hz)
Now you'll hear how the "bass" will react to your kick for real and it will follow the kicks tone, accent and intonation. So from here its really just to experiment with reveb times, decay, pre-delays / early-late, diffusion to make it sit tight and move nicely. Increase & decrease the send value to the kick till you find a nice balance, you can insert effects on the reverb send channel, compress the reverbs and gate it, add pitch effects to it and what not. You dont really need side chain for this but its nice, but either works.
You can hear this kind of "bass / sub" far far back in the history of techno really, its pretty amazing it been so hidden among the circle of fellow producers etc. Or maybe ya'll knew this already haha.
Edit: What I would recommend for this when it comes to software is 112dB redline reverb, d16 Toraverb, 2C Aether, the logic reverbs, Waves Maxxbass Mono (for experimenting with bass harmony), SIR, Ambience, Lexcion verbs